東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

The discourse on race within the blu...

Miyake, Mark Y.

Linked to FindBook

Google Book

Amazon

博客來

The discourse on race within the bluegrass music community.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The discourse on race within the bluegrass music community./
Author:	Miyake, Mark Y.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2009,
Description:	261 p.
Notes:	Source: Dissertation Abstracts International, Volume: 71-02, Section: A, page: 3910.
Contained By:	Dissertation Abstracts International71-02A.
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3390321
ISBN:	9781109587210

The discourse on race within the bluegrass music community.
Miyake, Mark Y.

The discourse on race within the bluegrass music community. - Ann Arbor : ProQuest Dissertations & Theses, 2009 - 261 p.

Source: Dissertation Abstracts International, Volume: 71-02, Section: A, page: 3910.

Thesis (Ph.D.)--Indiana University, 2009.

The American popular media often portray bluegrass music as the music of choice for the most racist elements of society, and many Americans assume that bluegrass music discourse is characterized by white supremacy and nationalistic jingoism. The dominance of this simplistic view has influenced the views of scholars, leading to a lack of serious scholarship on this important genre of popular music. This dissertation focuses on the complex dimensions of discourse on race within, and of the construction of, the bluegrass music community. It examines the ways in which the discourse shapes and is shaped by the self and projected identities, internal and external power structures of music production and community practices, and of the broader discourse on American music in which it operates. While the representation of bluegrass music as a White genre is rooted in over a century of patterns in the representations of bluegrass and related forms by the music industry, cultural historians, musicians, and others, it is the communal discourse itself that maintains this widespread and deeply held belief. Based on historical and ethnographic research, this dissertation examines this discourse and the conditions surrounding it since the founding of bluegrass music as a distinct genre in the 1940s and 1950s. It analyzes the ways in which this history influences the current community and the ways in which historical discourse within this community often serves to generate and maintain community boundaries and practices.

ISBN: 9781109587210Subjects--Topical Terms:

516178
Music.

The discourse on race within the bluegrass music community.
LDR:02453nmm a2200301 4500 001 2118284
005 20170605115547.5
008 180830s2009 ||||||||||||||||| ||eng d
020 $a 9781109587210
035 $a (MiAaPQ)AAI3390321
035 $a AAI3390321
040 $a MiAaPQ $c MiAaPQ
100 1 $a Miyake, Mark Y. $3 3280109
245 1 4 $a The discourse on race within the bluegrass music community.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2009
300 $a 261 p.
500 $a Source: Dissertation Abstracts International, Volume: 71-02, Section: A, page: 3910.
500 $a Advisers: Sue Tuohy; Richard Bauman.
502 $a Thesis (Ph.D.)--Indiana University, 2009.
520 $a The American popular media often portray bluegrass music as the music of choice for the most racist elements of society, and many Americans assume that bluegrass music discourse is characterized by white supremacy and nationalistic jingoism. The dominance of this simplistic view has influenced the views of scholars, leading to a lack of serious scholarship on this important genre of popular music. This dissertation focuses on the complex dimensions of discourse on race within, and of the construction of, the bluegrass music community. It examines the ways in which the discourse shapes and is shaped by the self and projected identities, internal and external power structures of music production and community practices, and of the broader discourse on American music in which it operates. While the representation of bluegrass music as a White genre is rooted in over a century of patterns in the representations of bluegrass and related forms by the music industry, cultural historians, musicians, and others, it is the communal discourse itself that maintains this widespread and deeply held belief. Based on historical and ethnographic research, this dissertation examines this discourse and the conditions surrounding it since the founding of bluegrass music as a distinct genre in the 1940s and 1950s. It analyzes the ways in which this history influences the current community and the ways in which historical discourse within this community often serves to generate and maintain community boundaries and practices.
590 $a School code: 0093.
650 4 $a Music. $3 516178
650 4 $a Cultural anthropology. $3 2122764
650 4 $a Folklore. $3 528224
690 $a 0413
690 $a 0326
690 $a 0358
710 2 $a Indiana University. $b Folklore and Ethnomusicology. $3 1028123
773 0 $t Dissertation Abstracts International $g 71-02A.
790 $a 0093
791 $a Ph.D.
792 $a 2009
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3390321