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The New New Man: (Re)articulations o...
~
Zaviezo, Gabriela.
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The New New Man: (Re)articulations of masculinity in postrevolutionary Cuba.
Record Type:
Electronic resources : Monograph/item
Title/Author:
The New New Man: (Re)articulations of masculinity in postrevolutionary Cuba./
Author:
Zaviezo, Gabriela.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:
214 p.
Notes:
Source: Dissertation Abstracts International, Volume: 78-03(E), Section: A.
Contained By:
Dissertation Abstracts International78-03A(E).
Subject:
Latin American literature. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10154827
ISBN:
9781369099195
The New New Man: (Re)articulations of masculinity in postrevolutionary Cuba.
Zaviezo, Gabriela.
The New New Man: (Re)articulations of masculinity in postrevolutionary Cuba.
- Ann Arbor : ProQuest Dissertations & Theses, 2016 - 214 p.
Source: Dissertation Abstracts International, Volume: 78-03(E), Section: A.
Thesis (Ph.D.)--University of Miami, 2016.
This dissertation explores the way masculinity was created and rearticulated during Revolutionary and Post-revolutionary Cuba. I argue that The New Man and his masculinity is created by official documents such as speeches, magazines, comics, etc. produced by the government. Through the analysis of Reinaldo Arenas's Arturo, la estrella mas brillante, Senel Paz's El lobo, el bosque y el hombre nuevo, and Abel Gonzalez Melo's Chamaco, informe en diez capitulos para representar I demonstrate how these texts engage with official discourse in order to create new expressions/possibilities of masculinity. Highlighting key elements of the three narratives, including productivity, specters of the countryside, silence, quiet and invisibility, I trace a literary and critical history of the Revolution through gender and sexuality.
ISBN: 9781369099195Subjects--Topical Terms:
2078811
Latin American literature.
The New New Man: (Re)articulations of masculinity in postrevolutionary Cuba.
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This dissertation explores the way masculinity was created and rearticulated during Revolutionary and Post-revolutionary Cuba. I argue that The New Man and his masculinity is created by official documents such as speeches, magazines, comics, etc. produced by the government. Through the analysis of Reinaldo Arenas's Arturo, la estrella mas brillante, Senel Paz's El lobo, el bosque y el hombre nuevo, and Abel Gonzalez Melo's Chamaco, informe en diez capitulos para representar I demonstrate how these texts engage with official discourse in order to create new expressions/possibilities of masculinity. Highlighting key elements of the three narratives, including productivity, specters of the countryside, silence, quiet and invisibility, I trace a literary and critical history of the Revolution through gender and sexuality.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10154827
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