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The Breath with the Breath: Contempo...

Heer, Melissa Rose.

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The Breath with the Breath: Contemporary Performance Art in India.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The Breath with the Breath: Contemporary Performance Art in India./
Author:	Heer, Melissa Rose.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2015,
Description:	217 p.
Notes:	Source: Dissertation Abstracts International, Volume: 77-02(E), Section: A.
Contained By:	Dissertation Abstracts International77-02A(E).
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3727721
ISBN:	9781339129099

The Breath with the Breath: Contemporary Performance Art in India.
Heer, Melissa Rose.

The Breath with the Breath: Contemporary Performance Art in India. - Ann Arbor : ProQuest Dissertations & Theses, 2015 - 217 p.

Source: Dissertation Abstracts International, Volume: 77-02(E), Section: A.

Thesis (Ph.D.)--University of Minnesota, 2015.

This dissertation examines contemporary performance art practices in India, with a particular focus on the work of three artists with diverse approaches to this ever-evolving art form: Ratnabali Kant, Samudra Kajal Saikia and Nikhil Chopra. The performances that serve as the focus of my analysis took place during the period of 1985 to 2012. In my examination of specific performances, I weave together strands of performance studies, histories of performance art and theater, and a theoretical analysis of "the performative" nature of society at large. The works I examine question the ways in which historical memory is itself performed through national spectacle, the reiteration of social norms, and the production of subject formations.

ISBN: 9781339129099Subjects--Topical Terms:

2122701
Art history.

The Breath with the Breath: Contemporary Performance Art in India.
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500 $a Source: Dissertation Abstracts International, Volume: 77-02(E), Section: A.
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520 $a This dissertation examines contemporary performance art practices in India, with a particular focus on the work of three artists with diverse approaches to this ever-evolving art form: Ratnabali Kant, Samudra Kajal Saikia and Nikhil Chopra. The performances that serve as the focus of my analysis took place during the period of 1985 to 2012. In my examination of specific performances, I weave together strands of performance studies, histories of performance art and theater, and a theoretical analysis of "the performative" nature of society at large. The works I examine question the ways in which historical memory is itself performed through national spectacle, the reiteration of social norms, and the production of subject formations.
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