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Maternites et identites: Representat...

Linz, Rebecca.

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Maternites et identites: Representations of motherhood and national identity in literary texts of Quebec.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Maternites et identites: Representations of motherhood and national identity in literary texts of Quebec./
Author:	Linz, Rebecca.
Published:	Ann Arbor : ProQuest Dissertations & Theses, : 2013,
Description:	228 p.
Notes:	Source: Dissertation Abstracts International, Volume: 74-06(E), Section: A.
Contained By:	Dissertation Abstracts International74-06A(E).
Subject:	French Canadian literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3553567
ISBN:	9781267930545

Maternites et identites: Representations of motherhood and national identity in literary texts of Quebec.
Linz, Rebecca.

Maternites et identites: Representations of motherhood and national identity in literary texts of Quebec. - Ann Arbor : ProQuest Dissertations & Theses, 2013 - 228 p.

Source: Dissertation Abstracts International, Volume: 74-06(E), Section: A.

Thesis (Ph.D.)--City University of New York, 2013.

In this dissertation, I analyze the depiction of the mother figure in a selection of Quebecois texts spanning from 1916 ( Maria Chapdelaine by Louis Hemon) to 2008 (Le Ciel de Bay City by Catherine Mavrikakis). During the course of the 20 th through the start of the 21st centuries, Quebecois authors have consistently given importance to mothers in their works, although the mothers often appear to play a minor role. Througout the nearly century-long span of the literature in this study, I observe how the mother evolves from a martyred "guardian of the hearth" who upholds religious and domestic duties to various depictions of maternal (and frequently anti-maternal) women. These myriad "maternites et identites" reflect what is happening within Quebecc either at the time each text was written or when the story takes place. I argue that the literary mother represents not only the domestic sphere in which she plays a central role but also social and political changes within Quebecc. For example, cruel mothers are used as a subversive tool to critique both traditional gender roles and governmental and religious oppression during the grande noirceur period. Quebecois authors such as Marie-Celie Agnant, Lori Saint-Martin, Ying Chen and Mavrikakis present texts from multicultural perspectives that reveal discrimination and injustices on a global scale. In every text studied here, the authors privilege mother-child relationships significantly more than those between the mother and her spouse. These mother-child relationships reveal the important influence mothers have upon their offspring and the desire children have to cultivate close relationships with their mothers, regardless of their mothers' degree of affection. The authors included here rarely present the mother's point of view (the protagonists being most frequently the children), and oftentimes she plays what appears to be a minor role in a given text. This lack of centrality, however, belies her compelling significance.

ISBN: 9781267930545Subjects--Topical Terms:

3179033
French Canadian literature.

Maternites et identites: Representations of motherhood and national identity in literary texts of Quebec.
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100 1 $a Linz, Rebecca. $3 3278273
245 1 0 $a Maternites et identites: Representations of motherhood and national identity in literary texts of Quebec.
260 1 $a Ann Arbor : $b ProQuest Dissertations & Theses, $c 2013
300 $a 228 p.
500 $a Source: Dissertation Abstracts International, Volume: 74-06(E), Section: A.
500 $a Adviser: Thomas C. Spear.
502 $a Thesis (Ph.D.)--City University of New York, 2013.
520 $a In this dissertation, I analyze the depiction of the mother figure in a selection of Quebecois texts spanning from 1916 ( Maria Chapdelaine by Louis Hemon) to 2008 (Le Ciel de Bay City by Catherine Mavrikakis). During the course of the 20 th through the start of the 21st centuries, Quebecois authors have consistently given importance to mothers in their works, although the mothers often appear to play a minor role. Througout the nearly century-long span of the literature in this study, I observe how the mother evolves from a martyred "guardian of the hearth" who upholds religious and domestic duties to various depictions of maternal (and frequently anti-maternal) women. These myriad "maternites et identites" reflect what is happening within Quebecc either at the time each text was written or when the story takes place. I argue that the literary mother represents not only the domestic sphere in which she plays a central role but also social and political changes within Quebecc. For example, cruel mothers are used as a subversive tool to critique both traditional gender roles and governmental and religious oppression during the grande noirceur period. Quebecois authors such as Marie-Celie Agnant, Lori Saint-Martin, Ying Chen and Mavrikakis present texts from multicultural perspectives that reveal discrimination and injustices on a global scale. In every text studied here, the authors privilege mother-child relationships significantly more than those between the mother and her spouse. These mother-child relationships reveal the important influence mothers have upon their offspring and the desire children have to cultivate close relationships with their mothers, regardless of their mothers' degree of affection. The authors included here rarely present the mother's point of view (the protagonists being most frequently the children), and oftentimes she plays what appears to be a minor role in a given text. This lack of centrality, however, belies her compelling significance.
590 $a School code: 0046.
650 4 $a French Canadian literature. $3 3179033
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3553567