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"Do you know what it means to miss N...
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Billinson, Jennifer.
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"Do you know what it means to miss New Orleans?" The use of popular music after Hurricane Katrina.
Record Type:
Electronic resources : Monograph/item
Title/Author:
"Do you know what it means to miss New Orleans?" The use of popular music after Hurricane Katrina./
Author:
Billinson, Jennifer.
Published:
Ann Arbor : ProQuest Dissertations & Theses, : 2016,
Description:
103 p.
Notes:
Source: Dissertation Abstracts International, Volume: 78-03(E), Section: A.
Contained By:
Dissertation Abstracts International78-03A(E).
Subject:
Mass communication. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10165524
ISBN:
9781369199000
"Do you know what it means to miss New Orleans?" The use of popular music after Hurricane Katrina.
Billinson, Jennifer.
"Do you know what it means to miss New Orleans?" The use of popular music after Hurricane Katrina.
- Ann Arbor : ProQuest Dissertations & Theses, 2016 - 103 p.
Source: Dissertation Abstracts International, Volume: 78-03(E), Section: A.
Thesis (Ph.D.)--Syracuse University, 2016.
This single-case study explores the use of popular music in response to the destruction of New Orleans by Hurricane Katrina in August, 2005. Using research in sociology of disaster and uses and gratifications theory in mass communication, data collected included original music written in response to the hurricane, major benefit concerts that aired in the wake, and re-appropriated music that developed new meaning when used in conjunction to the case. Analysis yielded that popular music was used to raise awareness, raise funds, and express emotion following the disaster. Common themes throughout include the impact of genre on how this was accomplished and the messages it yielded, the power of collective effervescence, and the importance of space and place when dealing with tragedy through music.
ISBN: 9781369199000Subjects--Topical Terms:
2144804
Mass communication.
"Do you know what it means to miss New Orleans?" The use of popular music after Hurricane Katrina.
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This single-case study explores the use of popular music in response to the destruction of New Orleans by Hurricane Katrina in August, 2005. Using research in sociology of disaster and uses and gratifications theory in mass communication, data collected included original music written in response to the hurricane, major benefit concerts that aired in the wake, and re-appropriated music that developed new meaning when used in conjunction to the case. Analysis yielded that popular music was used to raise awareness, raise funds, and express emotion following the disaster. Common themes throughout include the impact of genre on how this was accomplished and the messages it yielded, the power of collective effervescence, and the importance of space and place when dealing with tragedy through music.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10165524
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