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The Cinema of Leakage: Student Movem...
~
Tseng, Michael Yu-Che.
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The Cinema of Leakage: Student Movements in Japan, Subjectivity and the Thinking Cinema of Oshima Nagisa.
Record Type:
Electronic resources : Monograph/item
Title/Author:
The Cinema of Leakage: Student Movements in Japan, Subjectivity and the Thinking Cinema of Oshima Nagisa./
Author:
Tseng, Michael Yu-Che.
Description:
131 p.
Notes:
Source: Masters Abstracts International, Volume: 54-06.
Contained By:
Masters Abstracts International54-06(E).
Subject:
Asian studies. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1595029
ISBN:
9781321929980
The Cinema of Leakage: Student Movements in Japan, Subjectivity and the Thinking Cinema of Oshima Nagisa.
Tseng, Michael Yu-Che.
The Cinema of Leakage: Student Movements in Japan, Subjectivity and the Thinking Cinema of Oshima Nagisa.
- 131 p.
Source: Masters Abstracts International, Volume: 54-06.
Thesis (M.A.)--University of Toronto (Canada), 2015.
Japanese cinemas that were produced under the umbrella term of New Wave marked a new regime of images that resonated with the political frustration of the student activists of the 1950s and 1960s. This thesis is a detailed exploration of the relationships between the cinematic form and narrative, and political representations of this time frame, and an appeal to the thinking power of cinema to look at the historical problematics of political and media representations of the Japanese student movements.
ISBN: 9781321929980Subjects--Topical Terms:
1571829
Asian studies.
The Cinema of Leakage: Student Movements in Japan, Subjectivity and the Thinking Cinema of Oshima Nagisa.
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131 p.
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Source: Masters Abstracts International, Volume: 54-06.
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Thesis (M.A.)--University of Toronto (Canada), 2015.
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Japanese cinemas that were produced under the umbrella term of New Wave marked a new regime of images that resonated with the political frustration of the student activists of the 1950s and 1960s. This thesis is a detailed exploration of the relationships between the cinematic form and narrative, and political representations of this time frame, and an appeal to the thinking power of cinema to look at the historical problematics of political and media representations of the Japanese student movements.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1595029
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