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Rethinking May '68 and after: "FILM-...

Min, Hye Young.

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Rethinking May '68 and after: "FILM-TRACK no.1968, Le Rouge".

Record Type:	Electronic resources : Monograph/item
Title/Author:	Rethinking May '68 and after: "FILM-TRACK no.1968, Le Rouge"./
Author:	Min, Hye Young.
Description:	43 p.
Notes:	Source: Masters Abstracts International, Volume: 54-06.
Contained By:	Masters Abstracts International54-06(E).
Subject:	Film studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1593853
ISBN:	9781321901993

Rethinking May '68 and after: "FILM-TRACK no.1968, Le Rouge".
Min, Hye Young.

Rethinking May '68 and after: "FILM-TRACK no.1968, Le Rouge". - 43 p.

Source: Masters Abstracts International, Volume: 54-06.

Thesis (M.A.)--State University of New York at Binghamton, 2015.

This paper examines a collaborative film of Jean-Luc Godard and Gerard Fromanger, FILM-TRACK No.1968, Le Rouge, as part of the "afterlives" of May '68. The film was made as an activist artwork, dedicated to supporting the ongoing protest. However, its artistic approach to making an efficient agitprop differs from other contemporary art practices. This paper argues that the film's unique position and features provide us with a sense of the complexity of the moment in which it was made, the moment when its makers must have had the dawning recognition that the revolution would not succeed. By analyzing its title scene, end credits, and the bleeding French flag image of the film, this paper determines why Godard remade Fromanger's bleeding French flag to produce a revolutionary film in the wake of the May events.

ISBN: 9781321901993Subjects--Topical Terms:

2122736
Film studies.

Rethinking May '68 and after: "FILM-TRACK no.1968, Le Rouge".
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100 1 $a Min, Hye Young. $3 3277788
245 1 0 $a Rethinking May '68 and after: "FILM-TRACK no.1968, Le Rouge".
300 $a 43 p.
500 $a Source: Masters Abstracts International, Volume: 54-06.
500 $a Adviser: Tom McDonough.
502 $a Thesis (M.A.)--State University of New York at Binghamton, 2015.
520 $a This paper examines a collaborative film of Jean-Luc Godard and Gerard Fromanger, FILM-TRACK No.1968, Le Rouge, as part of the "afterlives" of May '68. The film was made as an activist artwork, dedicated to supporting the ongoing protest. However, its artistic approach to making an efficient agitprop differs from other contemporary art practices. This paper argues that the film's unique position and features provide us with a sense of the complexity of the moment in which it was made, the moment when its makers must have had the dawning recognition that the revolution would not succeed. By analyzing its title scene, end credits, and the bleeding French flag image of the film, this paper determines why Godard remade Fromanger's bleeding French flag to produce a revolutionary film in the wake of the May events.
590 $a School code: 0792.
650 4 $a Film studies. $3 2122736
690 $a 0900
710 2 $a State University of New York at Binghamton. $b Art History. $3 1279029
773 0 $t Masters Abstracts International $g 54-06(E).
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793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1593853