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Restless Debris: Ruination, Multicul...

McNeely, Andrew.

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Restless Debris: Ruination, Multicultural Politics, and Post-Recession Visual Art.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Restless Debris: Ruination, Multicultural Politics, and Post-Recession Visual Art./
Author:	McNeely, Andrew.
Description:	42 p.
Notes:	Source: Masters Abstracts International, Volume: 56-01.
Contained By:	Masters Abstracts International56-01(E).
Subject:	Art criticism. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10162654
ISBN:	9781369174434

Restless Debris: Ruination, Multicultural Politics, and Post-Recession Visual Art.
McNeely, Andrew.

Restless Debris: Ruination, Multicultural Politics, and Post-Recession Visual Art. - 42 p.

Source: Masters Abstracts International, Volume: 56-01.

Thesis (M.F.A.)--University of California, Irvine, 2016.

This study examines how ruination functions allegorically in the work of Kevin Jerome Everson and Michelle Dizon. I argue that ruination in each of their practices must be understood as instances of pathological melancholia and as such their work yields insights into current challenges to multicultural solidarity. This study is also developed in conjunction with the exhibition Restless Debris, which focuses on class and racial politics attendant to ruin imagery in post-recession installation art between 2012 and 2014. This study is thus intended to advance the current discourse on the relationship between narratives of national decline, multicultural politics, and contemporary figurations of ruins in popular culture.

ISBN: 9781369174434Subjects--Topical Terms:

526357
Art criticism.

Restless Debris: Ruination, Multicultural Politics, and Post-Recession Visual Art.
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245 1 0 $a Restless Debris: Ruination, Multicultural Politics, and Post-Recession Visual Art.
300 $a 42 p.
500 $a Source: Masters Abstracts International, Volume: 56-01.
500 $a Adviser: Juli Carson.
502 $a Thesis (M.F.A.)--University of California, Irvine, 2016.
520 $a This study examines how ruination functions allegorically in the work of Kevin Jerome Everson and Michelle Dizon. I argue that ruination in each of their practices must be understood as instances of pathological melancholia and as such their work yields insights into current challenges to multicultural solidarity. This study is also developed in conjunction with the exhibition Restless Debris, which focuses on class and racial politics attendant to ruin imagery in post-recession installation art between 2012 and 2014. This study is thus intended to advance the current discourse on the relationship between narratives of national decline, multicultural politics, and contemporary figurations of ruins in popular culture.
590 $a School code: 0030.
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710 2 $a University of California, Irvine. $b Studio Art - M.F.A.. $3 3277739
773 0 $t Masters Abstracts International $g 56-01(E).
790 $a 0030
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792 $a 2016
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856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10162654