東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Music, opinion, and press in late ei...

Sanchez-Rojo, Ana P.

Linked to FindBook

Google Book

Amazon

博客來

Music, opinion, and press in late eighteenth-century Madrid.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Music, opinion, and press in late eighteenth-century Madrid./
Author:	Sanchez-Rojo, Ana P.
Description:	310 p.
Notes:	Source: Dissertation Abstracts International, Volume: 78-03(E), Section: A.
Contained By:	Dissertation Abstracts International78-03A(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10158019
ISBN:	9781369130362

Music, opinion, and press in late eighteenth-century Madrid.
Sanchez-Rojo, Ana P.

Music, opinion, and press in late eighteenth-century Madrid. - 310 p.

Source: Dissertation Abstracts International, Volume: 78-03(E), Section: A.

Thesis (Ph.D.)--The University of Chicago, 2016.

My dissertation argues that musical theater and public debates about music shaped modern opinion in Spain during the last two decades of the eighteenth century, before the private and the public became institutionalized in the bourgeois family and the nation-state respectively. Musical debates were particularly stimulated by two converging circumstances in the last years of Charles III's reign and the first years of Charles IV's: the reopening of the Italian opera theater in Madrid, and unparalleled developments in the local periodical press. In examining short music theater pieces, printed criticism, and the conversation between the two media, I propose that during this time period the Madrid upper- and middle-classes first acknowledged opinion as a force capable of determining the functioning of their society.

ISBN: 9781369130362Subjects--Topical Terms:

516178
Music.

Music, opinion, and press in late eighteenth-century Madrid.
LDR:02811nmm a2200301 4500 001 2116038
005 20170417092341.5
008 180830s2016 ||||||||||||||||| ||eng d
020 $a 9781369130362
035 $a (MiAaPQ)AAI10158019
035 $a AAI10158019
040 $a MiAaPQ $c MiAaPQ
100 1 $a Sanchez-Rojo, Ana P. $3 3277725
245 1 0 $a Music, opinion, and press in late eighteenth-century Madrid.
300 $a 310 p.
500 $a Source: Dissertation Abstracts International, Volume: 78-03(E), Section: A.
500 $a Adviser: Robert L. Kendrick.
502 $a Thesis (Ph.D.)--The University of Chicago, 2016.
520 $a My dissertation argues that musical theater and public debates about music shaped modern opinion in Spain during the last two decades of the eighteenth century, before the private and the public became institutionalized in the bourgeois family and the nation-state respectively. Musical debates were particularly stimulated by two converging circumstances in the last years of Charles III's reign and the first years of Charles IV's: the reopening of the Italian opera theater in Madrid, and unparalleled developments in the local periodical press. In examining short music theater pieces, printed criticism, and the conversation between the two media, I propose that during this time period the Madrid upper- and middle-classes first acknowledged opinion as a force capable of determining the functioning of their society.
520 $a Like all intellectual endeavors during the late-eighteenth century, musical practices faced the challenge of reconciling the Habsburg legacy of a Catholic, monarchical Spain with the European Enlightenment that exalted human agency, reason, and nature. Unlike what happened in other European capitals, music in late eighteenth-century Madrid neither represented nor questioned the political establishment directly. Instead, public music performances at the city theaters provided society with a medium to digest and reformulate orally circulated opinions, Enlightenment-derived ideas, and Bourbon absolutist policies. In its capacity as a public language with multiple avenues for participation, music helped Spanish people to transition from the old to the new order without threatening their religious identity.
520 $a In addition to contributing to the knowledge of Spanish music and criticism, this dissertation proposes that the late Spanish Enlightenment can be better understood through public cultural debates than through the official history of Bourbon reforms and enlightened despotism.
590 $a School code: 0330.
650 4 $a Music. $3 516178
650 4 $a European history. $2 bicssc $3 1972904
690 $a 0413
690 $a 0335
710 2 $a The University of Chicago. $b Music. $3 1673188
773 0 $t Dissertation Abstracts International $g 78-03A(E).
790 $a 0330
791 $a Ph.D.
792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10158019