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Los Angeles Troubadours: The Politic...
~
Bentley, Christa Anne.
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Los Angeles Troubadours: The Politics of the Singer-Songwriter Movement, 1968-1975.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Los Angeles Troubadours: The Politics of the Singer-Songwriter Movement, 1968-1975./
Author:
Bentley, Christa Anne.
Description:
324 p.
Notes:
Source: Dissertation Abstracts International, Volume: 77-11(E), Section: A.
Contained By:
Dissertation Abstracts International77-11A(E).
Subject:
Music. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10120055
ISBN:
9781339812465
Los Angeles Troubadours: The Politics of the Singer-Songwriter Movement, 1968-1975.
Bentley, Christa Anne.
Los Angeles Troubadours: The Politics of the Singer-Songwriter Movement, 1968-1975.
- 324 p.
Source: Dissertation Abstracts International, Volume: 77-11(E), Section: A.
Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2016.
Between 1968 and 1975, the political rhetoric and activist strategies of United States social movements transitioned from communalism and mass protests to a language of individualism and personal politics. This dissertation argues that the contemporary singer-songwriter movement in Los Angeles provides a window into the major cultural and political shifts of the 1970s. Its musical aesthetic, which promoted confessional songwriting and self-reflection, encapsulated this rise in individualism. Using ethnographic research with participants of the singer-songwriter movement, I construct a cultural history that demonstrates how this music played a significant role shaping the personal politics of the women's movement and anti-war ideologies. Chapter 1 traces the singer-songwriter movement as an extension of the acoustic performance practices established during the United States folk revival. Chapter 2 explores the local music scene in Los Angeles that fostered the singer-songwriter movement, investigating how live performance practices influenced the discourses of authenticity surrounding the singer-songwriter as intimate, vulnerable, and personal. Chapter 3 compares the personal narratives of confessional songs to the organizing strategies of second wave feminisms, showing how music by singer-songwriters acted as a form of consciousness-raising within the context of the U.S. women's movement. Chapter 4 examines personal rhetoric in a second social movement---anti-Vietnam War protests---illustrating the ways in which confessional songs mirrored the new language of dissent among anti-war activists. Chapter 5 examines the impact of the 1970s singer-songwriter movement on the present day Los Angeles scene and looks at the legacy of the political work singer-songwriters engage in the twenty-first century. Such an examination reveals how the singer-songwriter movement articulated highly politicized sentiments through their personal songwriting, shaping the discourses of protest in the United States during the 1970s.
ISBN: 9781339812465Subjects--Topical Terms:
516178
Music.
Los Angeles Troubadours: The Politics of the Singer-Songwriter Movement, 1968-1975.
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Source: Dissertation Abstracts International, Volume: 77-11(E), Section: A.
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Adviser: Jocelyn R. Neal.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10120055
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