Language:
English
繁體中文
Help
回圖書館首頁
手機版館藏查詢
Login
Back
Switch To:
Labeled
|
MARC Mode
|
ISBD
Transformations of a Hungry Cinema: ...
~
Herrera, Juan Carlos Arias.
Linked to FindBook
Google Book
Amazon
博客來
Transformations of a Hungry Cinema: Images and Visibility of Hunger in Brazilian Cinema 1960s-2000s.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Transformations of a Hungry Cinema: Images and Visibility of Hunger in Brazilian Cinema 1960s-2000s./
Author:
Herrera, Juan Carlos Arias.
Description:
293 p.
Notes:
Source: Dissertation Abstracts International, Volume: 77-08(E), Section: A.
Contained By:
Dissertation Abstracts International77-08A(E).
Subject:
Film studies. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10089624
ISBN:
9781339594316
Transformations of a Hungry Cinema: Images and Visibility of Hunger in Brazilian Cinema 1960s-2000s.
Herrera, Juan Carlos Arias.
Transformations of a Hungry Cinema: Images and Visibility of Hunger in Brazilian Cinema 1960s-2000s.
- 293 p.
Source: Dissertation Abstracts International, Volume: 77-08(E), Section: A.
Thesis (Ph.D.)--University of Illinois at Chicago, 2015.
This dissertation analyzes the visibility of hunger in film---from the Cinema Novo movement of the 1960s to contemporary productions. It follows the discursive transformations of hunger as a key trope in the development of Brazilian cinema, highlighting hunger's role as a central motif---not only as the subject of specific films, but also as a place of reflection on the processes of the representation of marginality. I call hunger a trope to stress that it has not simply been the topic of films, nor an ethereal metaphor to rhetorically describe a socially committed cinema. Instead, the term hunger delineates a complex semantic field that includes several discursive strategies and artistic/political practices: it is a concept as well as a metaphor, a material reality, and an aesthetic principle.
ISBN: 9781339594316Subjects--Topical Terms:
2122736
Film studies.
Transformations of a Hungry Cinema: Images and Visibility of Hunger in Brazilian Cinema 1960s-2000s.
LDR
:02531nmm a2200265 4500
001
2115963
005
20170417092333.5
008
180830s2015 ||||||||||||||||| ||eng d
020
$a
9781339594316
035
$a
(MiAaPQ)AAI10089624
035
$a
AAI10089624
040
$a
MiAaPQ
$c
MiAaPQ
100
1
$a
Herrera, Juan Carlos Arias.
$3
3277639
245
1 0
$a
Transformations of a Hungry Cinema: Images and Visibility of Hunger in Brazilian Cinema 1960s-2000s.
300
$a
293 p.
500
$a
Source: Dissertation Abstracts International, Volume: 77-08(E), Section: A.
502
$a
Thesis (Ph.D.)--University of Illinois at Chicago, 2015.
520
$a
This dissertation analyzes the visibility of hunger in film---from the Cinema Novo movement of the 1960s to contemporary productions. It follows the discursive transformations of hunger as a key trope in the development of Brazilian cinema, highlighting hunger's role as a central motif---not only as the subject of specific films, but also as a place of reflection on the processes of the representation of marginality. I call hunger a trope to stress that it has not simply been the topic of films, nor an ethereal metaphor to rhetorically describe a socially committed cinema. Instead, the term hunger delineates a complex semantic field that includes several discursive strategies and artistic/political practices: it is a concept as well as a metaphor, a material reality, and an aesthetic principle.
520
$a
Although it seems extremely easy to define something that we all, in different ways, have experienced, I argue that hunger is not a transparent reality, but a flexible notion shaped through a series of discourses and representations that respond to specific needs and interests. In contrast to our ingrained belief in the univocal nature of the term hunger, this word actually designates a complex network of biological, psychological, social, economic, political, and even aesthetic realities. I propose that a series of films throughout the history of Brazilian cinema have preserved that ambiguous and irreducible character of hunger instead of having transformed it into a digestible topic. Through the trope of hunger, Brazilian cinema has created a way to think of that that cannot be digested: the reality of hunger, misery and underdevelopment in Brazil.
590
$a
School code: 0799.
650
4
$a
Film studies.
$3
2122736
690
$a
0900
710
2
$a
University of Illinois at Chicago.
$b
Art History.
$3
3277640
773
0
$t
Dissertation Abstracts International
$g
77-08A(E).
790
$a
0799
791
$a
Ph.D.
792
$a
2015
793
$a
English
856
4 0
$u
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10089624
based on 0 review(s)
Location:
ALL
電子資源
Year:
Volume Number:
Items
1 records • Pages 1 •
1
Inventory Number
Location Name
Item Class
Material type
Call number
Usage Class
Loan Status
No. of reservations
Opac note
Attachments
W9326583
電子資源
01.外借(書)_YB
電子書
EB
一般使用(Normal)
On shelf
0
1 records • Pages 1 •
1
Multimedia
Reviews
Add a review
and share your thoughts with other readers
Export
pickup library
Processing
...
Change password
Login