東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Art after the hipster = identity pol...

Hill, Wes.

Linked to FindBook

Google Book

Amazon

博客來

Art after the hipster = identity politics, ethics and aesthetics /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Art after the hipster/ by Wes Hill.
Reminder of title:	identity politics, ethics and aesthetics /
Author:	Hill, Wes.
Published:	Cham :Springer International Publishing : : 2017.,
Description:	viii, 150 p. :ill., digital ;22 cm.
Contained By:	Springer eBooks
Subject:	Art and society. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-68578-6
ISBN:	9783319685786

Art after the hipster = identity politics, ethics and aesthetics /
Hill, Wes.

Art after the hipsteridentity politics, ethics and aesthetics /[electronic resource] :by Wes Hill. - Cham :Springer International Publishing :2017. - viii, 150 p. :ill., digital ;22 cm.

"The hipster has become a crucial theoretical figure in the early 21st century. Wes Hill shows us why and points to the long genealogy behind the concept. The philosophical origins of the hipster might even go back to that most unhip philosopher, Immanuel Kant. One of the questions Hill leaves us with is whether the hipster's days are numbered, whether when we're all hip anybody is." --Rex Butler, Professor of Art History, Monash University Evoking a level of animosity from a bygone cultural moment, the hipster belongs to a time when the economic advantages of cultural innovation in the arts were seriously believed. What that time was, and where we are now, is this book's subject, examined through the lens of art history and the creativity hype of neoliberalism. Marking a transition from a period in Western art when irony and high-minded nonchalance reigned, the hipster appears in the context of contemporary art not as a critical standpoint in itself but as the continually deferred subject position of creative practice. Today, given the increasing impotence of the term "hipster," proclamations of cultural discernment are overshadowed by ethical considerations of identity, making palpable an uncertainty about our capacity to untangle capitalism's thirst for reinvention from the artist's thirst for subverting norms. Wes Hill lectures in Art History and Visual Culture at Southern Cross University, Australia. Previous publications include Emily Floyd: The Dawn (2014) and How Folklore Shaped Modern Art (2016)

ISBN: 9783319685786

Standard No.: 10.1007/978-3-319-68578-6doiSubjects--Topical Terms:

540086
Art and society.

LC Class. No.: N72.S6 / H55 2017

Dewey Class. No.: 701.03

Art after the hipster = identity politics, ethics and aesthetics /
LDR:02472nmm a2200301 a 4500 001 2111026
003 DE-He213
005 20180426115601.0
006 m d
007 cr nn 008maaau
008 180619s2017 gw s 0 eng d
020 $a 9783319685786 $q (electronic bk.)
020 $a 9783319685779 $q (paper)
024 7 $a 10.1007/978-3-319-68578-6 $2 doi
035 $a 978-3-319-68578-6
040 $a GP $c GP
041 0 $a eng
050 4 $a N72.S6 $b H55 2017
072 7 $a JFC $2 bicssc
072 7 $a SOC000000 $2 bisacsh
082 0 4 $a 701.03 $2 23
090 $a N72.S6 $b H648 2017
100 1 $a Hill, Wes. $3 3264723
245 1 0 $a Art after the hipster $h [electronic resource] : $b identity politics, ethics and aesthetics / $c by Wes Hill.
260 $a Cham : $b Springer International Publishing : $b Imprint: Palgrave Macmillan, $c 2017.
300 $a viii, 150 p. : $b ill., digital ; $c 22 cm.
520 $a "The hipster has become a crucial theoretical figure in the early 21st century. Wes Hill shows us why and points to the long genealogy behind the concept. The philosophical origins of the hipster might even go back to that most unhip philosopher, Immanuel Kant. One of the questions Hill leaves us with is whether the hipster's days are numbered, whether when we're all hip anybody is." --Rex Butler, Professor of Art History, Monash University Evoking a level of animosity from a bygone cultural moment, the hipster belongs to a time when the economic advantages of cultural innovation in the arts were seriously believed. What that time was, and where we are now, is this book's subject, examined through the lens of art history and the creativity hype of neoliberalism. Marking a transition from a period in Western art when irony and high-minded nonchalance reigned, the hipster appears in the context of contemporary art not as a critical standpoint in itself but as the continually deferred subject position of creative practice. Today, given the increasing impotence of the term "hipster," proclamations of cultural discernment are overshadowed by ethical considerations of identity, making palpable an uncertainty about our capacity to untangle capitalism's thirst for reinvention from the artist's thirst for subverting norms. Wes Hill lectures in Art History and Visual Culture at Southern Cross University, Australia. Previous publications include Emily Floyd: The Dawn (2014) and How Folklore Shaped Modern Art (2016)
650 0 $a Art and society. $3 540086
650 1 4 $a Cultural and Media Studies. $3 2165732
650 2 4 $a Cultural Theory. $3 2191713
650 2 4 $a Fine Arts. $3 891065
650 2 4 $a Global/International Culture. $3 3201028
650 2 4 $a Popular Culture. $3 3201027
650 2 4 $a Digital/New Media. $3 3206146
710 2 $a SpringerLink (Online service) $3 836513
773 0 $t Springer eBooks
856 4 0 $u http://dx.doi.org/10.1007/978-3-319-68578-6
950 $a Literature, Cultural and Media Studies (Springer-41173)