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Enchantment and disenchantment : = l...
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Li, Wai-yee.
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Enchantment and disenchantment : = love and illusion in Chinese literature /
紀錄類型:
書目-語言資料,印刷品 : Monograph/item
正題名/作者:
Enchantment and disenchantment :/ Wai-yee Li.
其他題名:
love and illusion in Chinese literature /
作者:
Li, Wai-yee.
出版者:
Princeton, N.J. :Princeton University Press, : c1993.,
面頁冊數:
xii, 294 p. :ill ;25 cm.
標題:
Chinese literature - History and criticism. -
ISBN:
9780691632902
Enchantment and disenchantment : = love and illusion in Chinese literature /
Li, Wai-yee.
Enchantment and disenchantment :
love and illusion in Chinese literature /Wai-yee Li. - Princeton, N.J. :Princeton University Press,c1993. - xii, 294 p. :ill ;25 cm.
Includes bibliographical references (p. [269]-280) and index.
The genealogy of disenchantment --
In a famous episode of the eighteenth-century masterpiece The Dream of the Red Chamber, the goddess Disenchantment introduces the hero, Pao-yu, to the splendors and dangers of the Illusory Realm of Great Void. The goddess, one of the divine women in Chinese literature who inspire contradictory impulses of attachment and detachment, tells Pao-yu that the purpose of his dream visit is "disenchantment through enchantment," or "enlightenment through love." Examining a range of genres from different periods, Wai-yee Li reveals the persistence of the dialectic embodied by the goddess: while illusion originates in love and desire, it is only through love and desire that illusion can be transcended.
ISBN: 9780691632902US107.50
LCCN: 92032032Subjects--Topical Terms:
627700
Chinese literature
--History and criticism.
LC Class. No.: PL2275.L68 / .L5 1993
Enchantment and disenchantment : = love and illusion in Chinese literature /
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Includes bibliographical references (p. [269]-280) and index.
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The genealogy of disenchantment --
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Desire and order in Liao-chai chih-i --
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Self-reflexivity and the Lyrical Ideal in Hung-lou meng --
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In a famous episode of the eighteenth-century masterpiece The Dream of the Red Chamber, the goddess Disenchantment introduces the hero, Pao-yu, to the splendors and dangers of the Illusory Realm of Great Void. The goddess, one of the divine women in Chinese literature who inspire contradictory impulses of attachment and detachment, tells Pao-yu that the purpose of his dream visit is "disenchantment through enchantment," or "enlightenment through love." Examining a range of genres from different periods, Wai-yee Li reveals the persistence of the dialectic embodied by the goddess: while illusion originates in love and desire, it is only through love and desire that illusion can be transcended.
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Li begins by defining the context of these issues through the study of an entire poetic tradition, placing special emphasis on the role of language and of the feminine element. Then, focusing on the "dream plays" by Tang Hsien-tsu, she turns to the late Ming, an age which discovers radical subjectivity, and goes on to explore a seventeenth-century collection of classical tales, Records of the Strange from the Liaochai Studio by Pu Sung-ling. The latter half of the book is devoted to a thorough analysis of The Dream of the Red Chamber, the most profound treatment of the dialectic of enchantment and disenchantment, love and enlightenment, illusion and reality.
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