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The philosophy and politics of aesth...

Ross, Nathan.

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The philosophy and politics of aesthetic experience = German romanticism and critical theory /

Record Type:	Electronic resources : Monograph/item
Title/Author:	The philosophy and politics of aesthetic experience/ by Nathan Ross.
Reminder of title:	German romanticism and critical theory /
Author:	Ross, Nathan.
Published:	Cham :Springer International Publishing : : 2017.,
Description:	xv, 253 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction -- 2. Aesthetic Semblance and Play as Responses to the Disfigurement of Human Social Existence in Schiller's Aesthetic Education -- 3. Aesthetic Experience at the Limits of Thought in Holderlin's New Letters on Aesthetic Education -- 4. The Endless Pursuit of Universal Sense in Friedrich Schlegel's Political and Aesthetic Thought -- 5. Walter Benjamin's Philosophy of Critical Experience--From the Romantic Artwork to the Disillusioning of Mimesis -- 6. Aesthetic Truth as the Mimesis of False Consciousness in Adorno's Aesthetic Theory -- 7. Conclusion: The Benjamin-Adorno Debate on the Nature of Aesthetic Experience.
Contained By:	Springer eBooks
Subject:	Romanticism - Germany. -
Online resource:	http://dx.doi.org/10.1007/978-3-319-52304-0
ISBN:	9783319523040

The philosophy and politics of aesthetic experience = German romanticism and critical theory /
Ross, Nathan.

The philosophy and politics of aesthetic experienceGerman romanticism and critical theory /[electronic resource] :by Nathan Ross. - Cham :Springer International Publishing :2017. - xv, 253 p. :ill., digital ;24 cm. - Political philosophy and public purpose. - Political philosophy and public purpose..

1. Introduction -- 2. Aesthetic Semblance and Play as Responses to the Disfigurement of Human Social Existence in Schiller's Aesthetic Education -- 3. Aesthetic Experience at the Limits of Thought in Holderlin's New Letters on Aesthetic Education -- 4. The Endless Pursuit of Universal Sense in Friedrich Schlegel's Political and Aesthetic Thought -- 5. Walter Benjamin's Philosophy of Critical Experience--From the Romantic Artwork to the Disillusioning of Mimesis -- 6. Aesthetic Truth as the Mimesis of False Consciousness in Adorno's Aesthetic Theory -- 7. Conclusion: The Benjamin-Adorno Debate on the Nature of Aesthetic Experience.

This book develops a philosophy of aesthetic experience through two socially significant philosophical movements: early German Romanticism and early critical theory. In examining the relationship between these two closely intertwined movements, we see that aesthetic experience is not merely a passive response to art--it is the capacity to cultivate true personal autonomy, and to critique the social and political context of our lives. Art is political for these thinkers, not only when it paints a picture of society, but even more when it makes us aware of our deeply ingrained forms of experience in a transformative way. Ultimately, the book argues that we have to think of art as a form of truth that is not reducible to communicative rationality or scientific knowledge, and from which philosophy and politics can learn valuable lessons.

ISBN: 9783319523040

Standard No.: 10.1007/978-3-319-52304-0doiSubjects--Topical Terms:

586104
Romanticism
--Germany.

LC Class. No.: B2748.R64 / R67 2017

Dewey Class. No.: 141.60943

The philosophy and politics of aesthetic experience = German romanticism and critical theory /
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505 0 $a 1. Introduction -- 2. Aesthetic Semblance and Play as Responses to the Disfigurement of Human Social Existence in Schiller's Aesthetic Education -- 3. Aesthetic Experience at the Limits of Thought in Holderlin's New Letters on Aesthetic Education -- 4. The Endless Pursuit of Universal Sense in Friedrich Schlegel's Political and Aesthetic Thought -- 5. Walter Benjamin's Philosophy of Critical Experience--From the Romantic Artwork to the Disillusioning of Mimesis -- 6. Aesthetic Truth as the Mimesis of False Consciousness in Adorno's Aesthetic Theory -- 7. Conclusion: The Benjamin-Adorno Debate on the Nature of Aesthetic Experience.
520 $a This book develops a philosophy of aesthetic experience through two socially significant philosophical movements: early German Romanticism and early critical theory. In examining the relationship between these two closely intertwined movements, we see that aesthetic experience is not merely a passive response to art--it is the capacity to cultivate true personal autonomy, and to critique the social and political context of our lives. Art is political for these thinkers, not only when it paints a picture of society, but even more when it makes us aware of our deeply ingrained forms of experience in a transformative way. Ultimately, the book argues that we have to think of art as a form of truth that is not reducible to communicative rationality or scientific knowledge, and from which philosophy and politics can learn valuable lessons.
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