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Artistic enclaves in the post-indust...

Moss, Geoffrey.

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Artistic enclaves in the post-industrial city = a case study of Lawrenceville, Pittsburgh /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Artistic enclaves in the post-industrial city/ by Geoffrey Moss.
Reminder of title:	a case study of Lawrenceville, Pittsburgh /
Author:	Moss, Geoffrey.
Published:	Cham :Springer International Publishing : : 2017.,
Description:	xiv, 110 p. :ill. (some col.), digital ;24 cm.
[NT 15003449]:	Chapter 1. Introduction -- Chapter 2. Florida's Creative Class Thesis -- Chapter 3. The Larger Urban Context -- Chapter 4. Bohemia: Introduction and Classic Prototypes -- Chapter 5. The Growing Integration of Bourgeois and Bohemian Culture -- Chapter 6. Lawrenceville's Artistic Enclave -- Chapter 7. An Alternative to the Dominant Academic Narrative -- Chapter 8. Summary and Conclusion.
Contained By:	Springer eBooks
Subject:	Art, American - Pennsylvania -
Online resource:	http://dx.doi.org/10.1007/978-3-319-55264-4
ISBN:	9783319552644

Artistic enclaves in the post-industrial city = a case study of Lawrenceville, Pittsburgh /
Moss, Geoffrey.

Artistic enclaves in the post-industrial citya case study of Lawrenceville, Pittsburgh /[electronic resource] :by Geoffrey Moss. - Cham :Springer International Publishing :2017. - xiv, 110 p. :ill. (some col.), digital ;24 cm. - SpringerBriefs in sociology,2212-6368. - SpringerBriefs in sociology..

Chapter 1. Introduction -- Chapter 2. Florida's Creative Class Thesis -- Chapter 3. The Larger Urban Context -- Chapter 4. Bohemia: Introduction and Classic Prototypes -- Chapter 5. The Growing Integration of Bourgeois and Bohemian Culture -- Chapter 6. Lawrenceville's Artistic Enclave -- Chapter 7. An Alternative to the Dominant Academic Narrative -- Chapter 8. Summary and Conclusion.

This SpringerBriefs presents a case study and theoretical analysis of an artistic enclave that emerged within Lawrenceville Pittsburgh. It briefly describes the history of greater Pittsburgh, and Lawrenceville's transition from thriving blue-collar community to depopulated low-income neighborhood to gentrifying site of artistic and creative culture. It draws on multiple methods (e.g., interviews, observations, and survey data) to discuss the advantages and disadvantages associated with being a Pittsburgh artist, and offer a detailed description of the origins and ongoing development of Lawrenceville's artistic enclave. It discusses this enclave in the context of sociological, historical, and interdisciplinary work on urban artistic communities (i.e., bohemian and quasi-bohemian communities), and situates it within the larger urban artistic tradition, and within its contemporary urban context. It maintains that this enclave constitutes a successful (i.e., sustainable) example of an artistic creative class enclave, a heuristic concept that clarifies and amends Richard Florida's brief commentary on contemporary urban artistic life. It concludes by offering policy suggestions for those who wish to promote such enclaves, and a preliminary critical appraisal of their potential impact on society.

ISBN: 9783319552644

Standard No.: 10.1007/978-3-319-55264-4doiSubjects--Topical Terms:

3227933
Art, American
--Pennsylvania

LC Class. No.: N6530.P42 / M67 2017

Dewey Class. No.: 709.74886

Artistic enclaves in the post-industrial city = a case study of Lawrenceville, Pittsburgh /
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520 $a This SpringerBriefs presents a case study and theoretical analysis of an artistic enclave that emerged within Lawrenceville Pittsburgh. It briefly describes the history of greater Pittsburgh, and Lawrenceville's transition from thriving blue-collar community to depopulated low-income neighborhood to gentrifying site of artistic and creative culture. It draws on multiple methods (e.g., interviews, observations, and survey data) to discuss the advantages and disadvantages associated with being a Pittsburgh artist, and offer a detailed description of the origins and ongoing development of Lawrenceville's artistic enclave. It discusses this enclave in the context of sociological, historical, and interdisciplinary work on urban artistic communities (i.e., bohemian and quasi-bohemian communities), and situates it within the larger urban artistic tradition, and within its contemporary urban context. It maintains that this enclave constitutes a successful (i.e., sustainable) example of an artistic creative class enclave, a heuristic concept that clarifies and amends Richard Florida's brief commentary on contemporary urban artistic life. It concludes by offering policy suggestions for those who wish to promote such enclaves, and a preliminary critical appraisal of their potential impact on society.
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