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Samuel Beckett and BBC Radio = a rea...

Addyman, David.

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Samuel Beckett and BBC Radio = a reassessment /

Record Type:	Electronic resources : Monograph/item
Title/Author:	Samuel Beckett and BBC Radio/ edited by David Addyman, Matthew Feldman, Erik Tonning.
Reminder of title:	a reassessment /
other author:	Addyman, David.
Published:	New York :Palgrave Macmillan US : : 2017.,
Description:	xv, 308 p. :ill., digital ;24 cm.
[NT 15003449]:	1. Introduction: David Addyman, Matthew Feldman and Erik Tonning -- 2. Matthew Feldman, "Beckett's 'non-canonical' radio productions, 1957-1989" -- 3. Erik Tonning, "Mediating Modernism: The Third Programme, Samuel Beckett, and Mass Communication" -- 4. Dirk van Hulle, "The BBC and Beckett's Non-Radiogenic Plays in the 1950s" -- 5. Pim Verhulst, "The BBC as 'Commissioner' of Beckett's Radio Plays" -- 6. Catherine Laws, "Imagining Radio Sound: Interference and Collaboration in the BBC Radio Production of Beckett's All That Fall" -- 7. Stefano Rosignoli, "Author, Work and Trade: The Sociology of Samuel Beckett's Texts in the Years of the Broadcasts for BBC Radio (1957-89) Copyright and Moral Rights" -- 8. John Pilling, "Changing My Tune: Beckett and the BBC Third Programme (1957-1960)" -- 9. Elsa Baroghel, "'my God to have to murmur that': Comment C'est/How It Is and the issue of performance" -- 10. Paul Stewart, "Fitting the Prose to Radio: The Case of 'Lessness'" -- 11. Melissa Chia, "'My comforts! Be friends!': Words, Music and Beckett's Poetry on the Third" -- 12. Steven Matthews, "Meditations and Monologues: Beckett's mid-late prose on the radio" -- 13. Natalie Leeder, "'None but the simplest words': Beckett's listeners".
Contained By:	Springer eBooks
Subject:	Dramatists, English - Criticism and interpretation. -
Online resource:	http://dx.doi.org/10.1057/978-1-137-54265-6
ISBN:	9781137542656

Samuel Beckett and BBC Radio = a reassessment /
Samuel Beckett and BBC Radioa reassessment /[electronic resource] :edited by David Addyman, Matthew Feldman, Erik Tonning. - New York :Palgrave Macmillan US :2017. - xv, 308 p. :ill., digital ;24 cm. - New interpretations of Beckett in the 21st century. - New interpretations of Beckett in the 21st century..

1. Introduction: David Addyman, Matthew Feldman and Erik Tonning -- 2. Matthew Feldman, "Beckett's 'non-canonical' radio productions, 1957-1989" -- 3. Erik Tonning, "Mediating Modernism: The Third Programme, Samuel Beckett, and Mass Communication" -- 4. Dirk van Hulle, "The BBC and Beckett's Non-Radiogenic Plays in the 1950s" -- 5. Pim Verhulst, "The BBC as 'Commissioner' of Beckett's Radio Plays" -- 6. Catherine Laws, "Imagining Radio Sound: Interference and Collaboration in the BBC Radio Production of Beckett's All That Fall" -- 7. Stefano Rosignoli, "Author, Work and Trade: The Sociology of Samuel Beckett's Texts in the Years of the Broadcasts for BBC Radio (1957-89) Copyright and Moral Rights" -- 8. John Pilling, "Changing My Tune: Beckett and the BBC Third Programme (1957-1960)" -- 9. Elsa Baroghel, "'my God to have to murmur that': Comment C'est/How It Is and the issue of performance" -- 10. Paul Stewart, "Fitting the Prose to Radio: The Case of 'Lessness'" -- 11. Melissa Chia, "'My comforts! Be friends!': Words, Music and Beckett's Poetry on the Third" -- 12. Steven Matthews, "Meditations and Monologues: Beckett's mid-late prose on the radio" -- 13. Natalie Leeder, "'None but the simplest words': Beckett's listeners".

This book is the first sustained examination of Samuel Beckett's pivotal engagements with post-war BBC radio. The BBC acted as a key interpreter and promoter of Beckett's work during this crucial period of his "getting known" in the Anglophone world in the 1950s and 1960s, especially through the culturally ambitious Third Programme, but also by the intermediary of the house magazine, The Listener. The BBC ensured a sizeable but also informed reception for Beckett's radio plays and various "adaptations" (including his stage plays, prose, and even poetry); the audience that Beckett's works reached by radio almost certainly exceeded in size his readership or theatre audiences at the time. In rethinking several key aspects of his relationship with the BBC, a mix of new and familiar Beckett critics take as their starting point the previously neglected BBC radio archives held at the Written Archive Centre in Caversham, Berkshire. The results of this extended reassessment are timely and, in many cases, quite surprising--for readers of Beckett and for scholars of radio, "late modernism," and post-war British culture more broadly.

ISBN: 9781137542656

Standard No.: 10.1057/978-1-137-54265-6doiSubjects--Personal Names:

764448
Beckett, Samuel,
1906-1989.Subjects--Topical Terms:

3227357
Dramatists, English
--Criticism and interpretation.

LC Class. No.: PR6003.E282

Dewey Class. No.: 823.914

Samuel Beckett and BBC Radio = a reassessment /
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505 0 $a 1. Introduction: David Addyman, Matthew Feldman and Erik Tonning -- 2. Matthew Feldman, "Beckett's 'non-canonical' radio productions, 1957-1989" -- 3. Erik Tonning, "Mediating Modernism: The Third Programme, Samuel Beckett, and Mass Communication" -- 4. Dirk van Hulle, "The BBC and Beckett's Non-Radiogenic Plays in the 1950s" -- 5. Pim Verhulst, "The BBC as 'Commissioner' of Beckett's Radio Plays" -- 6. Catherine Laws, "Imagining Radio Sound: Interference and Collaboration in the BBC Radio Production of Beckett's All That Fall" -- 7. Stefano Rosignoli, "Author, Work and Trade: The Sociology of Samuel Beckett's Texts in the Years of the Broadcasts for BBC Radio (1957-89) Copyright and Moral Rights" -- 8. John Pilling, "Changing My Tune: Beckett and the BBC Third Programme (1957-1960)" -- 9. Elsa Baroghel, "'my God to have to murmur that': Comment C'est/How It Is and the issue of performance" -- 10. Paul Stewart, "Fitting the Prose to Radio: The Case of 'Lessness'" -- 11. Melissa Chia, "'My comforts! Be friends!': Words, Music and Beckett's Poetry on the Third" -- 12. Steven Matthews, "Meditations and Monologues: Beckett's mid-late prose on the radio" -- 13. Natalie Leeder, "'None but the simplest words': Beckett's listeners".
520 $a This book is the first sustained examination of Samuel Beckett's pivotal engagements with post-war BBC radio. The BBC acted as a key interpreter and promoter of Beckett's work during this crucial period of his "getting known" in the Anglophone world in the 1950s and 1960s, especially through the culturally ambitious Third Programme, but also by the intermediary of the house magazine, The Listener. The BBC ensured a sizeable but also informed reception for Beckett's radio plays and various "adaptations" (including his stage plays, prose, and even poetry); the audience that Beckett's works reached by radio almost certainly exceeded in size his readership or theatre audiences at the time. In rethinking several key aspects of his relationship with the BBC, a mix of new and familiar Beckett critics take as their starting point the previously neglected BBC radio archives held at the Written Archive Centre in Caversham, Berkshire. The results of this extended reassessment are timely and, in many cases, quite surprising--for readers of Beckett and for scholars of radio, "late modernism," and post-war British culture more broadly.
600 1 0 $a Beckett, Samuel, $d 1906-1989. $3 764448
650 0 $a Dramatists, English $x Criticism and interpretation. $3 3227357
650 0 $a Radio plays $x History. $3 3227358
650 1 4 $a Literature. $3 537498
650 2 4 $a Twentieth-Century Literature. $3 2182347
650 2 4 $a British and Irish Literature. $3 2181926
650 2 4 $a Literary History. $3 2181925
700 1 $a Addyman, David. $3 3227354
700 1 $a Feldman, Matthew. $3 969728
700 1 $a Tonning, Erik. $3 3227355
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830 0 $a New interpretations of Beckett in the 21st century. $3 3227356
856 4 0 $u http://dx.doi.org/10.1057/978-1-137-54265-6
950 $a Literature, Cultural and Media Studies (Springer-41173)