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Art and aovereignty in global politics

Howland, Douglas.

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Art and aovereignty in global politics

Record Type:	Electronic resources : Monograph/item
Title/Author:	Art and aovereignty in global politics/ edited by Douglas Howland, Elizabeth Lillehoj, Maximilian Mayer.
other author:	Howland, Douglas.
Published:	New York :Palgrave Macmillan US : : 2017.,
Description:	xiv, 320 p. :ill. (some col.), digital ;22 cm.
[NT 15003449]:	1. Introduction: An Interdisciplinary Approach to Art and Sovereignty -- 2. Space and Sovereignty: A Reverse Perspective -- 3. The International Movement to Protect Literary and Artistic Property -- 4. Dongbei, Manchukuo, Manchuria: Territory, Artifacts, and the Multiple Bodies of Sovereignty in Northeast Asia -- 5. Claims -- 6. Stolen Buddhas and Sovereignty Claims -- 7. Art by Dispossession at El Paso Saddleback Company: Commodification and Graduated Sovereignty in Global Capitalism -- 8. Claiming Sovereignty through Equestrian Spectacle in Northern Cameroon -- 9. Identity and Sovereignty in Asian Art Cinema: Digital Diaspora Films of South Korea and Malaysia -- 10. Re-viewing Sovereignty: North Korean Authoritarianism and Art -- 11. Sovereignty as Performance and Video Art: Citizenship between International Relations and Artistic Representation -- 12. Directions for Future Research on Art, Sovereignty, and Global Affairs.
Contained By:	Springer eBooks
Subject:	Art - Political aspects. -
Online resource:	http://dx.doi.org/10.1057/978-1-349-95016-4
ISBN:	9781349950164

Art and aovereignty in global politics
Art and aovereignty in global politics[electronic resource] /edited by Douglas Howland, Elizabeth Lillehoj, Maximilian Mayer. - New York :Palgrave Macmillan US :2017. - xiv, 320 p. :ill. (some col.), digital ;22 cm.

1. Introduction: An Interdisciplinary Approach to Art and Sovereignty -- 2. Space and Sovereignty: A Reverse Perspective -- 3. The International Movement to Protect Literary and Artistic Property -- 4. Dongbei, Manchukuo, Manchuria: Territory, Artifacts, and the Multiple Bodies of Sovereignty in Northeast Asia -- 5. Claims -- 6. Stolen Buddhas and Sovereignty Claims -- 7. Art by Dispossession at El Paso Saddleback Company: Commodification and Graduated Sovereignty in Global Capitalism -- 8. Claiming Sovereignty through Equestrian Spectacle in Northern Cameroon -- 9. Identity and Sovereignty in Asian Art Cinema: Digital Diaspora Films of South Korea and Malaysia -- 10. Re-viewing Sovereignty: North Korean Authoritarianism and Art -- 11. Sovereignty as Performance and Video Art: Citizenship between International Relations and Artistic Representation -- 12. Directions for Future Research on Art, Sovereignty, and Global Affairs.

This volume aims to question, supplement, and revise current understandings of the relationship between aesthetic and political operations. The authors transcend disciplinary boundaries and nurture a wide-ranging sensibility about art and sovereignty, two highly complex and interwoven dimensions of human experience that have rarely been explored by scholars in one conceptual space. Chapters consider the intertwining of political structures and modernist artistic forms, including the relationships between nationalism and official portraiture, museums and cultural property, and territoriality and architectural history. Other chapters examine populist politics that emerged as art became commercialized and mediated, engaging industrial design and popular entertainment industries, and producing national and minority cinema, ethnic crafts for domestic markets, and performance art that contests national citizenship. In exploring the nexus of art and sovereignty, contributors highlight power relations and provide critical commentary on repercussions of colonialism and notions of universal truths rooted in Western ideals. By interfering with established dichotomies related to art and sovereignty, all contributors fuel a resistance to traditional definitions of "Art" and encourage a new perspective on the co-constitution of artworks and practices of sovereignty.

ISBN: 9781349950164

Standard No.: 10.1057/978-1-349-95016-4doiSubjects--Topical Terms:

607825
Art
--Political aspects.

LC Class. No.: N72.P6 / A73 2017

Dewey Class. No.: 701.03

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505 0 $a 1. Introduction: An Interdisciplinary Approach to Art and Sovereignty -- 2. Space and Sovereignty: A Reverse Perspective -- 3. The International Movement to Protect Literary and Artistic Property -- 4. Dongbei, Manchukuo, Manchuria: Territory, Artifacts, and the Multiple Bodies of Sovereignty in Northeast Asia -- 5. Claims -- 6. Stolen Buddhas and Sovereignty Claims -- 7. Art by Dispossession at El Paso Saddleback Company: Commodification and Graduated Sovereignty in Global Capitalism -- 8. Claiming Sovereignty through Equestrian Spectacle in Northern Cameroon -- 9. Identity and Sovereignty in Asian Art Cinema: Digital Diaspora Films of South Korea and Malaysia -- 10. Re-viewing Sovereignty: North Korean Authoritarianism and Art -- 11. Sovereignty as Performance and Video Art: Citizenship between International Relations and Artistic Representation -- 12. Directions for Future Research on Art, Sovereignty, and Global Affairs.
520 $a This volume aims to question, supplement, and revise current understandings of the relationship between aesthetic and political operations. The authors transcend disciplinary boundaries and nurture a wide-ranging sensibility about art and sovereignty, two highly complex and interwoven dimensions of human experience that have rarely been explored by scholars in one conceptual space. Chapters consider the intertwining of political structures and modernist artistic forms, including the relationships between nationalism and official portraiture, museums and cultural property, and territoriality and architectural history. Other chapters examine populist politics that emerged as art became commercialized and mediated, engaging industrial design and popular entertainment industries, and producing national and minority cinema, ethnic crafts for domestic markets, and performance art that contests national citizenship. In exploring the nexus of art and sovereignty, contributors highlight power relations and provide critical commentary on repercussions of colonialism and notions of universal truths rooted in Western ideals. By interfering with established dichotomies related to art and sovereignty, all contributors fuel a resistance to traditional definitions of "Art" and encourage a new perspective on the co-constitution of artworks and practices of sovereignty.
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