東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

Exhibiting scenographic identities a...

Walling, Carl H.

Linked to FindBook

Google Book

Amazon

博客來

Exhibiting scenographic identities at the 2007 & 2011 Prague Quadrennials.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Exhibiting scenographic identities at the 2007 & 2011 Prague Quadrennials./
Author:	Walling, Carl H.
Description:	161 p.
Notes:	Source: Dissertation Abstracts International, Volume: 76-08(E), Section: A.
Contained By:	Dissertation Abstracts International76-08A(E).
Subject:	Design. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3687127
ISBN:	9781321644135

Exhibiting scenographic identities at the 2007 & 2011 Prague Quadrennials.
Walling, Carl H.

Exhibiting scenographic identities at the 2007 & 2011 Prague Quadrennials. - 161 p.

Source: Dissertation Abstracts International, Volume: 76-08(E), Section: A.

Thesis (Ph.D.)--Bowling Green State University, 2015.

Theatrical design is difficult to exhibit as Art. During the course of the twentieth-century, prominent theatre designers have sought ways to share their revolutionary ideas and remarkable work with an outside audience. In this dissertation, I examine the boundaries, struggles and methodologies found within contemporary design exhibition at the Prague Quadrennial. More specifically, I explore a philosophical shift taking place between the 2007 and 2011 Prague Quadrennials, as the event's artistic leadership repositions the scenographic underpinnings toward a more inclusive theory of performance design. This resultant shift occurs due to several trends throughout the Prague Quadrennial's history including: decentralization, the inclusion of performance and the contextualization of scenographic artifacts. I examine the significant impact of this philosophical shift on the event's curatorial visions, audience interactions and connections with the city of Prague.

ISBN: 9781321644135Subjects--Topical Terms:

518875
Design.

Exhibiting scenographic identities at the 2007 & 2011 Prague Quadrennials.
LDR:01893nmm a2200301 4500 001 2078303
005 20161122122511.5
008 170521s2015 ||||||||||||||||| ||eng d
020 $a 9781321644135
035 $a (MiAaPQ)AAI3687127
035 $a AAI3687127
040 $a MiAaPQ $c MiAaPQ
100 1 $a Walling, Carl H. $3 3193883
245 1 0 $a Exhibiting scenographic identities at the 2007 & 2011 Prague Quadrennials.
300 $a 161 p.
500 $a Source: Dissertation Abstracts International, Volume: 76-08(E), Section: A.
500 $a Adviser: Michael Ellison.
502 $a Thesis (Ph.D.)--Bowling Green State University, 2015.
520 $a Theatrical design is difficult to exhibit as Art. During the course of the twentieth-century, prominent theatre designers have sought ways to share their revolutionary ideas and remarkable work with an outside audience. In this dissertation, I examine the boundaries, struggles and methodologies found within contemporary design exhibition at the Prague Quadrennial. More specifically, I explore a philosophical shift taking place between the 2007 and 2011 Prague Quadrennials, as the event's artistic leadership repositions the scenographic underpinnings toward a more inclusive theory of performance design. This resultant shift occurs due to several trends throughout the Prague Quadrennial's history including: decentralization, the inclusion of performance and the contextualization of scenographic artifacts. I examine the significant impact of this philosophical shift on the event's curatorial visions, audience interactions and connections with the city of Prague.
590 $a School code: 0018.
650 4 $a Design. $3 518875
650 4 $a Theater. $3 522973
650 4 $a Theater studies. $3 3179019
650 4 $a Theater history. $3 2144911
690 $a 0389
690 $a 0465
690 $a 0645
690 $a 0644
710 2 $a Bowling Green State University. $b Theatre. $3 3179018
773 0 $t Dissertation Abstracts International $g 76-08A(E).
790 $a 0018
791 $a Ph.D.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3687127