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Authenticity, authority and control:...

Headley, David Alexander.

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Authenticity, authority and control: How rock artists are responding to the possibility of collaborative music publics online.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Authenticity, authority and control: How rock artists are responding to the possibility of collaborative music publics online./
Author:	Headley, David Alexander.
Description:	127 p.
Notes:	Source: Masters Abstracts International, Volume: 55-04.
Contained By:	Masters Abstracts International55-04(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10100745
ISBN:	9781339646312

Authenticity, authority and control: How rock artists are responding to the possibility of collaborative music publics online.
Headley, David Alexander.

Authenticity, authority and control: How rock artists are responding to the possibility of collaborative music publics online. - 127 p.

Source: Masters Abstracts International, Volume: 55-04.

Thesis (M.A.)--Trent University (Canada), 2015.

This three-part history explores Web 2.0's ability to make music products a collaborative, ongoing creative process that is reflective of early twentieth century live-music publics, where the realization of a performance was actualized by performers together with their audience in a shared physical space. By extension, I follow the changing dynamic of the producer/consumer relationship as they transitioned through different media and formats that altered their respective roles in music making. This study considers the role that rock ideology, specifically that of the 'indie-rock' habitus, plays in shaping both a rock artist's desired image and a fan-base's expectations. How rock musicians use the internet reveals their own views on authenticity in recorded music and the extent to which they are willing to participate in a public with their audience. Primary case studies used are: Neil Young, Dave Bidini, Beck Hansen and Joel Plaskett.

ISBN: 9781339646312Subjects--Topical Terms:

516178
Music.

Authenticity, authority and control: How rock artists are responding to the possibility of collaborative music publics online.
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245 1 0 $a Authenticity, authority and control: How rock artists are responding to the possibility of collaborative music publics online.
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500 $a Source: Masters Abstracts International, Volume: 55-04.
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520 $a This three-part history explores Web 2.0's ability to make music products a collaborative, ongoing creative process that is reflective of early twentieth century live-music publics, where the realization of a performance was actualized by performers together with their audience in a shared physical space. By extension, I follow the changing dynamic of the producer/consumer relationship as they transitioned through different media and formats that altered their respective roles in music making. This study considers the role that rock ideology, specifically that of the 'indie-rock' habitus, plays in shaping both a rock artist's desired image and a fan-base's expectations. How rock musicians use the internet reveals their own views on authenticity in recorded music and the extent to which they are willing to participate in a public with their audience. Primary case studies used are: Neil Young, Dave Bidini, Beck Hansen and Joel Plaskett.
520 $a Keywords: popular music; indie-rock; Web 2.0; rock music collaboration; fan participation; publics; authenticity; habitus; Neil Young; Dave Bidini; Beck Hansen; Joel Plaskett; Song Reader; Scrappy Happiness; Canadian music.
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