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Horror movie aesthetics: How color, ...

Fu, Xiangyi.

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Horror movie aesthetics: How color, time, space and sound elicit fear in an audience.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Horror movie aesthetics: How color, time, space and sound elicit fear in an audience./
Author:	Fu, Xiangyi.
Description:	93 p.
Notes:	Source: Masters Abstracts International, Volume: 55-04.
Contained By:	Masters Abstracts International55-04(E).
Subject:	Design. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10107562
ISBN:	9781339709628

Horror movie aesthetics: How color, time, space and sound elicit fear in an audience.
Fu, Xiangyi.

Horror movie aesthetics: How color, time, space and sound elicit fear in an audience. - 93 p.

Source: Masters Abstracts International, Volume: 55-04.

Thesis (M.F.A.)--Northeastern University, 2016.

Fear is one of the most basic and important human emotions. At very beginning of movie history in 1895, when the audience first saw the Lumieres Bothers' The Arrival of a Train at La Ciotat Station on the big screen, almost the entire audience tried to escape from the theater. The image of the approaching train caused fear. To intensify feelings of fear in the audience, film artists use sound, lighting, timing, motion and other stylistic devices. Among the wide range of film genres, especially horror movies aim to trigger a physiological and psychological response of fear in the audience. Within the genre, horror films differ widely from each other based on their time period, sub-genre, and regional differences including religious and cultural motifs. There many different ways of investigating how horror movies accomplish to terrify and horrify an audience, for example, via an analysis of plots, characters, and dialogue. This thesis examines what constitutes the different cinematic styles of horror movies -- color/lighting, time/motion, spatial relationships, and sound -- in different horror movies. The result of my research is presented in an interactive visualization of cinematic aesthetics that enables a cinematic student to explore the patterns of how those elements are applied on the screen and can ultimately trigger and influence an audience's mood.

ISBN: 9781339709628Subjects--Topical Terms:

518875
Design.

Horror movie aesthetics: How color, time, space and sound elicit fear in an audience.
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245 1 0 $a Horror movie aesthetics: How color, time, space and sound elicit fear in an audience.
300 $a 93 p.
500 $a Source: Masters Abstracts International, Volume: 55-04.
500 $a Adviser: Dietmar Offenhuber.
502 $a Thesis (M.F.A.)--Northeastern University, 2016.
520 $a Fear is one of the most basic and important human emotions. At very beginning of movie history in 1895, when the audience first saw the Lumieres Bothers' The Arrival of a Train at La Ciotat Station on the big screen, almost the entire audience tried to escape from the theater. The image of the approaching train caused fear. To intensify feelings of fear in the audience, film artists use sound, lighting, timing, motion and other stylistic devices. Among the wide range of film genres, especially horror movies aim to trigger a physiological and psychological response of fear in the audience. Within the genre, horror films differ widely from each other based on their time period, sub-genre, and regional differences including religious and cultural motifs. There many different ways of investigating how horror movies accomplish to terrify and horrify an audience, for example, via an analysis of plots, characters, and dialogue. This thesis examines what constitutes the different cinematic styles of horror movies -- color/lighting, time/motion, spatial relationships, and sound -- in different horror movies. The result of my research is presented in an interactive visualization of cinematic aesthetics that enables a cinematic student to explore the patterns of how those elements are applied on the screen and can ultimately trigger and influence an audience's mood.
590 $a School code: 0160.
650 4 $a Design. $3 518875
650 4 $a Multimedia communications. $3 590562
650 4 $a Film studies. $3 2122736
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710 2 $a Northeastern University. $b Department of Art + Design. $3 3191980
773 0 $t Masters Abstracts International $g 55-04(E).
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792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10107562