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Mapping Tokyo: Cartography and moder...

Thouny, Christophe.

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Mapping Tokyo: Cartography and modernity in Japan in the early Meiji period.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Mapping Tokyo: Cartography and modernity in Japan in the early Meiji period./
Author:	Thouny, Christophe.
Description:	115 p.
Notes:	Source: Masters Abstracts International, Volume: 41-06, page: 1544.
Contained By:	Masters Abstracts International41-06.
Subject:	Art history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MQ79041
ISBN:	9780612790414

Mapping Tokyo: Cartography and modernity in Japan in the early Meiji period.
Thouny, Christophe.

Mapping Tokyo: Cartography and modernity in Japan in the early Meiji period. - 115 p.

Source: Masters Abstracts International, Volume: 41-06, page: 1544.

Thesis (M.A.)--McGill University (Canada), 2002.

Studies of the Early Meiji Period have until now been mainly articulated around the issue of continuity and discontinuity between the Edo and Meiji eras. Thus Tokyo has become the central locus of production of multiple discourses on Japanese modernity, urbanity and culture.

ISBN: 9780612790414Subjects--Topical Terms:

2122701
Art history.

Mapping Tokyo: Cartography and modernity in Japan in the early Meiji period.
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020 $a 9780612790414
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100 1 $a Thouny, Christophe. $3 3192312
245 1 0 $a Mapping Tokyo: Cartography and modernity in Japan in the early Meiji period.
300 $a 115 p.
500 $a Source: Masters Abstracts International, Volume: 41-06, page: 1544.
500 $a Adviser: Thoma Looser.
502 $a Thesis (M.A.)--McGill University (Canada), 2002.
520 $a Studies of the Early Meiji Period have until now been mainly articulated around the issue of continuity and discontinuity between the Edo and Meiji eras. Thus Tokyo has become the central locus of production of multiple discourses on Japanese modernity, urbanity and culture.
520 $a This work adopts a discontinuist approach by considering each era as two entirely distinct, although related, historical assemblages. For this, I focus my study on the conditions of production of Tokyo as a modern urban space. The entry into modernity is the crossing of a threshold. As Edo is marked by the order of the general equivalent and the law of the sumptury, Tokyo is produced in abstract space. We shift from an essentially heterogeneous space to a homogeneous, fragmented and hierarchized space. Following Henri Lefebvre, I try to analyze the production of modern abstract space as it is associated with a new mode of control of social space through administrative policies, cartography and urbanism.
590 $a School code: 0781.
650 4 $a Art history. $3 2122701
650 4 $a Geography. $3 524010
650 4 $a Asian history. $2 bicssc $3 1099323
690 $a 0377
690 $a 0366
690 $a 0332
710 2 $a McGill University (Canada). $3 1018122
773 0 $t Masters Abstracts International $g 41-06.
790 $a 0781
791 $a M.A.
792 $a 2002
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MQ79041