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The Iranian Contemporary Art Market:...
~
Eshghi, Amanda D.
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The Iranian Contemporary Art Market: Market Influences and Patronage.
Record Type:
Electronic resources : Monograph/item
Title/Author:
The Iranian Contemporary Art Market: Market Influences and Patronage./
Author:
Eshghi, Amanda D.
Description:
89 p.
Notes:
Source: Masters Abstracts International, Volume: 51-01.
Contained By:
Masters Abstracts International51-01(E).
Subject:
Fine arts. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1514638
ISBN:
9781267466655
The Iranian Contemporary Art Market: Market Influences and Patronage.
Eshghi, Amanda D.
The Iranian Contemporary Art Market: Market Influences and Patronage.
- 89 p.
Source: Masters Abstracts International, Volume: 51-01.
Thesis (M.A.)--Sotheby's Institute of Art - New York, 2012.
The contemporary Iranian art market has been garnering great interest and gaining momentum since the 1990s, and by the time auction houses started to hold major contemporary Middle Eastern art sales in the mid-2000s, Iranian artwork had begun to blossom into a viable and dynamic market, both in global reach and in sheer monetary success. It is my intent to focus on two important questions about this market. Initially, my thesis will seek to discover how the current Contemporary Iranian Art market has been shaped by both prosperous times before the 1979 Revolution in Iran and in the subsequent oppressive years that followed. Recent history of Iranian art movements, politics and culture will provide insight and set the backdrop for the present-day art scene and market. In addition, this thesis seeks to uncover how the Contemporary Iranian Art market is sustaining itself through an in-depth analysis of the markets five principal supporting pillars, all which have been the main source of patronage, support, and advocacy.
ISBN: 9781267466655Subjects--Topical Terms:
2122690
Fine arts.
The Iranian Contemporary Art Market: Market Influences and Patronage.
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89 p.
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Source: Masters Abstracts International, Volume: 51-01.
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Adviser: Andras Szanto.
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Thesis (M.A.)--Sotheby's Institute of Art - New York, 2012.
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The contemporary Iranian art market has been garnering great interest and gaining momentum since the 1990s, and by the time auction houses started to hold major contemporary Middle Eastern art sales in the mid-2000s, Iranian artwork had begun to blossom into a viable and dynamic market, both in global reach and in sheer monetary success. It is my intent to focus on two important questions about this market. Initially, my thesis will seek to discover how the current Contemporary Iranian Art market has been shaped by both prosperous times before the 1979 Revolution in Iran and in the subsequent oppressive years that followed. Recent history of Iranian art movements, politics and culture will provide insight and set the backdrop for the present-day art scene and market. In addition, this thesis seeks to uncover how the Contemporary Iranian Art market is sustaining itself through an in-depth analysis of the markets five principal supporting pillars, all which have been the main source of patronage, support, and advocacy.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1514638
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