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"How a Rose, Rose From The Concrete"...

Hill, Dominique.

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"How a Rose, Rose From The Concrete". Celebrating the forgotten ones, who want to be remembered: "Venus", and "La Bete".

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	"How a Rose, Rose From The Concrete". Celebrating the forgotten ones, who want to be remembered: "Venus", and "La Bete"./
作者:	Hill, Dominique.
面頁冊數:	10 p.
附註:	Source: Masters Abstracts International, Volume: 55-04.
Contained By:	Masters Abstracts International55-04(E).
標題:	Theater. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10063219
ISBN:	9781339577838

"How a Rose, Rose From The Concrete". Celebrating the forgotten ones, who want to be remembered: "Venus", and "La Bete".
Hill, Dominique.

"How a Rose, Rose From The Concrete". Celebrating the forgotten ones, who want to be remembered: "Venus", and "La Bete". - 10 p.

Source: Masters Abstracts International, Volume: 55-04.

Thesis (M.F.A.)--University of California, San Diego, 2016.

Venus: I knew due to this show being a freak show I had to be very careful with the coloring. Due to them being poor freaks their clothing had to resemble this as well. Venus's clothing had to be little to nothing. There was mentioning in the script that she had little to nothing on. So I put her in a leather patchwork thong, and a beaded top. It was inspired from the European assumption of what a woman from Africa would wear. My main objective for this show was to make people as uncomfortable as Saartjie Baartman was.

ISBN: 9781339577838Subjects--Topical Terms:

522973
Theater.

"How a Rose, Rose From The Concrete". Celebrating the forgotten ones, who want to be remembered: "Venus", and "La Bete".
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520 $a Venus: I knew due to this show being a freak show I had to be very careful with the coloring. Due to them being poor freaks their clothing had to resemble this as well. Venus's clothing had to be little to nothing. There was mentioning in the script that she had little to nothing on. So I put her in a leather patchwork thong, and a beaded top. It was inspired from the European assumption of what a woman from Africa would wear. My main objective for this show was to make people as uncomfortable as Saartjie Baartman was.
520 $a La Bete: I put the acting troupe women in corsets that resembled the shape of the 17th century, but then I put modern fabric over the bodices. Their skirts were made of tulle and they were positioned in different directions, making them asymmetrical.
520 $a Since Princess Conti had to be the most elaborate character. I made her the most modern. I gave her a two-piece, body conscious dress, and we added chains and jewels to the top of the shoulders, fabric to the bustle and similar fabric to the ends of her sleeves (to tie back into the 17th century aspect.).
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