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Futurism and Propaganda: Manifestos,...
~
Conrad, Sydney Kellen.
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Futurism and Propaganda: Manifestos, Theatres, and Magazines.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Futurism and Propaganda: Manifestos, Theatres, and Magazines./
Author:
Conrad, Sydney Kellen.
Description:
151 p.
Notes:
Source: Dissertation Abstracts International, Volume: 77-11(E), Section: A.
Contained By:
Dissertation Abstracts International77-11A(E).
Subject:
Romance literature. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10120010
ISBN:
9781339812014
Futurism and Propaganda: Manifestos, Theatres, and Magazines.
Conrad, Sydney Kellen.
Futurism and Propaganda: Manifestos, Theatres, and Magazines.
- 151 p.
Source: Dissertation Abstracts International, Volume: 77-11(E), Section: A.
Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2016.
My dissertation argues that Italian Futurism, in twentieth century Europe, was able to gain widespread recognition because it modeled its methods of diffusion after the parliamentary styled campaigns of social movements. Futurism not only introduced a new style of art but also transformed the way in which art was promoted, politicized, and used as a tool for propaganda. Through an analysis of the Futurist communicative strategies - in particular the use of the manifesto, theatrical space, and literary magazines - the dissertation shows how Marinetti and the Futurists were able to bring together different methods of collective action with symbolic acts of self-representation. These elements coalesced into the Futurist campaign, which allowed the movement to spread throughout the world.
ISBN: 9781339812014Subjects--Topical Terms:
2144781
Romance literature.
Futurism and Propaganda: Manifestos, Theatres, and Magazines.
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151 p.
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Source: Dissertation Abstracts International, Volume: 77-11(E), Section: A.
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Adviser: Federico Luisetti.
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Thesis (Ph.D.)--The University of North Carolina at Chapel Hill, 2016.
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My dissertation argues that Italian Futurism, in twentieth century Europe, was able to gain widespread recognition because it modeled its methods of diffusion after the parliamentary styled campaigns of social movements. Futurism not only introduced a new style of art but also transformed the way in which art was promoted, politicized, and used as a tool for propaganda. Through an analysis of the Futurist communicative strategies - in particular the use of the manifesto, theatrical space, and literary magazines - the dissertation shows how Marinetti and the Futurists were able to bring together different methods of collective action with symbolic acts of self-representation. These elements coalesced into the Futurist campaign, which allowed the movement to spread throughout the world.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10120010
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