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Words, Pictures, Songs and Society: ...

Hill, Judith E.

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Words, Pictures, Songs and Society: Women in the Arts of Early Modern Venice.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Words, Pictures, Songs and Society: Women in the Arts of Early Modern Venice./
Author:	Hill, Judith E.
Description:	66 p.
Notes:	Source: Masters Abstracts International, Volume: 55-03.
Contained By:	Masters Abstracts International55-03(E).
Subject:	European history. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10009866
ISBN:	9781339462639

Words, Pictures, Songs and Society: Women in the Arts of Early Modern Venice.
Hill, Judith E.

Words, Pictures, Songs and Society: Women in the Arts of Early Modern Venice. - 66 p.

Source: Masters Abstracts International, Volume: 55-03.

Thesis (M.A.)--State University of New York Empire State College, 2016.

This study was embarked upon as a way to clarify how women's creative endeavors, whether literary or artistic, entered the public sphere in the sixteenth and seventeenth centuries. The breadth of the concept required centering focus on the Italian city-state of Venice, between 1500 and 1650 CE. Women whose works in literature, art, and music are known today are examined through their life paths, the social positions they inhabited and the types of patronage required for each to receive publication, commissions, or recognition. Divided by literature, visual arts and music, as well as patronage and Venetian society itself, this study answers the initial question of how women living the roles of wife, artist, courtesan, orphan or nun, were able to make their creative mark in an androcentric society.

ISBN: 9781339462639Subjects--Topical Terms:

1972904
European history.

Words, Pictures, Songs and Society: Women in the Arts of Early Modern Venice.
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245 1 0 $a Words, Pictures, Songs and Society: Women in the Arts of Early Modern Venice.
300 $a 66 p.
500 $a Source: Masters Abstracts International, Volume: 55-03.
500 $a Adviser: Susan T. Hollis.
502 $a Thesis (M.A.)--State University of New York Empire State College, 2016.
520 $a This study was embarked upon as a way to clarify how women's creative endeavors, whether literary or artistic, entered the public sphere in the sixteenth and seventeenth centuries. The breadth of the concept required centering focus on the Italian city-state of Venice, between 1500 and 1650 CE. Women whose works in literature, art, and music are known today are examined through their life paths, the social positions they inhabited and the types of patronage required for each to receive publication, commissions, or recognition. Divided by literature, visual arts and music, as well as patronage and Venetian society itself, this study answers the initial question of how women living the roles of wife, artist, courtesan, orphan or nun, were able to make their creative mark in an androcentric society.
590 $a School code: 1408.
650 4 $a European history. $2 bicssc $3 1972904
650 4 $a Women's studies. $3 526816
690 $a 0335
690 $a 0453
710 2 $a State University of New York Empire State College. $b Liberal Studies. $3 1672757
773 0 $t Masters Abstracts International $g 55-03(E).
790 $a 1408
791 $a M.A.
792 $a 2016
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=10009866