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Musical responses to AIDS: Meaning a...
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Ostermiller, Marcus B.
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Musical responses to AIDS: Meaning and signification in two works for solo piano by Robert Savage and Kevin Oldham.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Musical responses to AIDS: Meaning and signification in two works for solo piano by Robert Savage and Kevin Oldham./
Author:
Ostermiller, Marcus B.
Description:
361 p.
Notes:
Source: Dissertation Abstracts International, Volume: 76-10(E), Section: A.
Contained By:
Dissertation Abstracts International76-10A(E).
Subject:
Music. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3705333
ISBN:
9781321782509
Musical responses to AIDS: Meaning and signification in two works for solo piano by Robert Savage and Kevin Oldham.
Ostermiller, Marcus B.
Musical responses to AIDS: Meaning and signification in two works for solo piano by Robert Savage and Kevin Oldham.
- 361 p.
Source: Dissertation Abstracts International, Volume: 76-10(E), Section: A.
Thesis (Ph.D.)--New York University, 2015.
This study investigates HIV/AIDS-related meaning in two American works for solo piano composed by gay men who died of complications from AIDS in 1993: AIDS Ward Scherzo (1992) by Robert Savage and Toccata, Op. 19 (1992), by Kevin Oldham. A discursive theoretical framework, which combines a musicological-semiotic methodology with historical and biographical data, elucidates musical signifiers that reference HIV/AIDS in compositions without lyrics. Biographical data derived from primary and secondary documents, archival audio and video content, and interviews conducted with the composers' associates are considered within the particular historical context at the height of AIDS-related deaths among gay men in 1992-93. Semiotic analyses of Savage and Oldham's works reveal agential signifiers of conflict that, in the context of established cultural and biographical significance idiomatic to the early HIV/AIDS era, form indexical associations to HIV/AIDS through a shared referential code.
ISBN: 9781321782509Subjects--Topical Terms:
516178
Music.
Musical responses to AIDS: Meaning and signification in two works for solo piano by Robert Savage and Kevin Oldham.
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361 p.
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Source: Dissertation Abstracts International, Volume: 76-10(E), Section: A.
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Adviser: Marilyn Nonken.
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Thesis (Ph.D.)--New York University, 2015.
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This study investigates HIV/AIDS-related meaning in two American works for solo piano composed by gay men who died of complications from AIDS in 1993: AIDS Ward Scherzo (1992) by Robert Savage and Toccata, Op. 19 (1992), by Kevin Oldham. A discursive theoretical framework, which combines a musicological-semiotic methodology with historical and biographical data, elucidates musical signifiers that reference HIV/AIDS in compositions without lyrics. Biographical data derived from primary and secondary documents, archival audio and video content, and interviews conducted with the composers' associates are considered within the particular historical context at the height of AIDS-related deaths among gay men in 1992-93. Semiotic analyses of Savage and Oldham's works reveal agential signifiers of conflict that, in the context of established cultural and biographical significance idiomatic to the early HIV/AIDS era, form indexical associations to HIV/AIDS through a shared referential code.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3705333
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