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Scripted performances: The aesthetic...

Hamlish, Tamara Lynn.

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Scripted performances: The aesthetics of language and the art of Chinese calligraphy.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Scripted performances: The aesthetics of language and the art of Chinese calligraphy./
作者:	Hamlish, Tamara Lynn.
面頁冊數:	262 p.
附註:	Source: Dissertation Abstracts International, Volume: 56-03, Section: A, page: 9970.
Contained By:	Dissertation Abstracts International56-03A.
標題:	Cultural anthropology. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9523497

Scripted performances: The aesthetics of language and the art of Chinese calligraphy.
Hamlish, Tamara Lynn.

Scripted performances: The aesthetics of language and the art of Chinese calligraphy. - 262 p.

Source: Dissertation Abstracts International, Volume: 56-03, Section: A, page: 9970.

Thesis (Ph.D.)--The University of Chicago, 1995.

This dissertation focuses on the practice of calligraphy in contemporary Chinese societies. Located at the intersection of visual art and language, an anthropological understanding of the art of Chinese calligraphy demands a critical examination of an implicit hierarchy of values expressed in existing anthropological interpretations of both language and art, expressed in such distinctions as literacy and orality or primitive/folk and fine art. At issue is an understanding of visual images and graphic signs shaped largely by assumptions regarding the nature and function of "primitive" art as a static representation of fixed meanings displayed in terms of a finite set of formal, especially spatial, relations. Corrollary to this are a number of similar assumptions about the nature and functions of language, and about the relationship between speech and writing as modes of language use.Subjects--Topical Terms:

2122764
Cultural anthropology.

Scripted performances: The aesthetics of language and the art of Chinese calligraphy.
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100 1 $a Hamlish, Tamara Lynn. $3 3189527
245 1 0 $a Scripted performances: The aesthetics of language and the art of Chinese calligraphy.
300 $a 262 p.
500 $a Source: Dissertation Abstracts International, Volume: 56-03, Section: A, page: 9970.
500 $a Adviser: Paul Friedrich.
502 $a Thesis (Ph.D.)--The University of Chicago, 1995.
520 $a This dissertation focuses on the practice of calligraphy in contemporary Chinese societies. Located at the intersection of visual art and language, an anthropological understanding of the art of Chinese calligraphy demands a critical examination of an implicit hierarchy of values expressed in existing anthropological interpretations of both language and art, expressed in such distinctions as literacy and orality or primitive/folk and fine art. At issue is an understanding of visual images and graphic signs shaped largely by assumptions regarding the nature and function of "primitive" art as a static representation of fixed meanings displayed in terms of a finite set of formal, especially spatial, relations. Corrollary to this are a number of similar assumptions about the nature and functions of language, and about the relationship between speech and writing as modes of language use.
520 $a The convergence of sinological, social scientific, and popular systems of classification with indigenous Chinese notions of language, art and culture have contributed to maintaining the 'unique' status accorded Chinese writing and written language. This study examines these notions as instances of culturally constructed representations of unity and continuity in Chinese cultural identity. An understanding of 'reading' and 'writing' as culturally informed practices are central to this interpretation of Chinese calligraphy and, in particular, the depiction of the relationship that is established between aesthetic and ethical qualities when these practices are transformed from technical into moral acts.
520 $a Calligraphers represent both writing and written language as symbols of the enduring moral character of Chinese cultural and historical unity and continuity. Individuals portray their own practices as participation in a moral order that transcends the limits of the material context and is shared by Chinese calligraphers of all times and places. By locating individual practices within an unbroken historical tradition of Chinese culture and civilization, diverse ideologies and experiences are telescoped into images of unity and continuity.
590 $a School code: 0330.
650 4 $a Cultural anthropology. $3 2122764
650 4 $a Fine arts. $3 2122690
650 4 $a Language. $3 643551
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710 2 $a The University of Chicago. $3 1017389
773 0 $t Dissertation Abstracts International $g 56-03A.
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