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THE POETRY OF CHEN YU-YI, 1090-1139 ...

HARGETT, JAMES MORRIS.

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THE POETRY OF CHEN YU-YI, 1090-1139 (CHINA).

Record Type:	Electronic resources : Monograph/item
Title/Author:	THE POETRY OF CHEN YU-YI, 1090-1139 (CHINA)./
Author:	HARGETT, JAMES MORRIS.
Description:	228 p.
Notes:	Source: Dissertation Abstracts International, Volume: 43-09, Section: A, page: 2995.
Contained By:	Dissertation Abstracts International43-09A.
Subject:	Asian literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8301066

THE POETRY OF CHEN YU-YI, 1090-1139 (CHINA).
HARGETT, JAMES MORRIS.

THE POETRY OF CHEN YU-YI, 1090-1139 (CHINA). - 228 p.

Source: Dissertation Abstracts International, Volume: 43-09, Section: A, page: 2995.

Thesis (Ph.D.)--Indiana University, 1982.

The purpose of this investigation is to present a critical interpretation and evaluation of the poetry of Chen Yu-yi (1090-1139). Like most other shi poets of the Song dynasty (960-1279) in China, Chen Yu-yi was confronted on the one hand with the Tang poetic tradition (i.e., the verse of the Tang dynasty, 618-907), which, by virtue of its excellence and almost universal acclaim, he was expected to emulate, and on the other hand by the new trends in Song poetry to which he was expected to conform. While in theory, Chen advocated a return to the "orthodox tradition" (zheng-tong) of Tang poetry through emulation of Du Fu (712-770), in practice this was not always the case. In fact, a very definite and traceable "tension" manifests itself throughout his works which at times reveals a dominant Song influence, at times a dominant Tang influence, and at other times a mixture of both. The underlying assumption of this study is that Chen Yu-yi's growth and maturity as a poet can be seen through the interaction and eventual synthesis of these "tensions of influence." Three distinct periods of development emerge in this context which constitute the main outline of my investigation: (1) The Years of Apprenticeship, 1113-1122; (2) The Years of Experimentation, 1122-1126; and (3) The Years of Experience, 1126-1131.Subjects--Topical Terms:

2122707
Asian literature.

THE POETRY OF CHEN YU-YI, 1090-1139 (CHINA).
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035 $a (MiAaPQ)AAI8301066
035 $a AAI8301066
040 $a MiAaPQ $c MiAaPQ
100 1 $a HARGETT, JAMES MORRIS. $3 3189490
245 1 4 $a THE POETRY OF CHEN YU-YI, 1090-1139 (CHINA).
300 $a 228 p.
500 $a Source: Dissertation Abstracts International, Volume: 43-09, Section: A, page: 2995.
502 $a Thesis (Ph.D.)--Indiana University, 1982.
520 $a The purpose of this investigation is to present a critical interpretation and evaluation of the poetry of Chen Yu-yi (1090-1139). Like most other shi poets of the Song dynasty (960-1279) in China, Chen Yu-yi was confronted on the one hand with the Tang poetic tradition (i.e., the verse of the Tang dynasty, 618-907), which, by virtue of its excellence and almost universal acclaim, he was expected to emulate, and on the other hand by the new trends in Song poetry to which he was expected to conform. While in theory, Chen advocated a return to the "orthodox tradition" (zheng-tong) of Tang poetry through emulation of Du Fu (712-770), in practice this was not always the case. In fact, a very definite and traceable "tension" manifests itself throughout his works which at times reveals a dominant Song influence, at times a dominant Tang influence, and at other times a mixture of both. The underlying assumption of this study is that Chen Yu-yi's growth and maturity as a poet can be seen through the interaction and eventual synthesis of these "tensions of influence." Three distinct periods of development emerge in this context which constitute the main outline of my investigation: (1) The Years of Apprenticeship, 1113-1122; (2) The Years of Experimentation, 1122-1126; and (3) The Years of Experience, 1126-1131.
520 $a The results of my research can be summarized as follows: The diction, themes, and tone of Chen's juvenilia largely follow the new trends in shi verse which emerged during the Northern Song period. During the years 1122-1125 he began experimenting with poetic structures more closely associated with Tang poetry in general, and with Du Fu in particular. The third and most important period of Chen Yu-yi's poetic activity begins after the fall of north China in 1126. Like many others, Chen was compelled to flee south from the invading armies of the Jin. I argue that it was these very experiences which inspired Chen's "emotional identification" with Du Fu (who also lived through a national crisis as a refugee). Du Fu was openly emulated by many Song poets, but none came closer to capturing the true spirit of the Tang poet than Chen Yu-yi. It is precisely here, I argue, where Chen Yu-yi's importance in the Chinese poetic tradition lies.
590 $a School code: 0093.
650 4 $a Asian literature. $3 2122707
690 $a 0305
710 2 $a Indiana University. $3 960096
773 0 $t Dissertation Abstracts International $g 43-09A.
790 $a 0093
791 $a Ph.D.
792 $a 1982
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=8301066