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Integrating the Moving Image into th...

Sinetos, Alina Morgan.

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Integrating the Moving Image into the Museum.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Integrating the Moving Image into the Museum./
Author:	Sinetos, Alina Morgan.
Description:	86 p.
Notes:	Source: Masters Abstracts International, Volume: 54-05.
Contained By:	Masters Abstracts International54-05(E).
Subject:	Museum studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1590425
ISBN:	9781321798210

Integrating the Moving Image into the Museum.
Sinetos, Alina Morgan.

Integrating the Moving Image into the Museum. - 86 p.

Source: Masters Abstracts International, Volume: 54-05.

Thesis (M.A.)--University of California, Los Angeles, 2015.

The widespread adoption of video (and of film, to a lesser extent) by contemporary artists has forced curators to face the challenge of incorporating moving image projections and installations into the museum gallery. Limitations imposed by architectural layout, exhibition structure, available equipment and budget restrictions often lead to compromise. Although contemporary artists have the ability to define the essential components of their moving image works and to negotiate how they will be displayed currently and in the future, works by past artists are not always treated with the same respect. This thesis addresses technical concerns and conservation issues encountered in the exhibition of moving image works. Engaging with multiple perspectives, it builds upon direct observations of museum exhibitions, conversations with museum and moving image archive professionals, and analyses of existing best practices.

ISBN: 9781321798210Subjects--Topical Terms:

2122775
Museum studies.

Integrating the Moving Image into the Museum.
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020 $a 9781321798210
035 $a (MiAaPQ)AAI1590425
035 $a AAI1590425
040 $a MiAaPQ $c MiAaPQ
100 1 $a Sinetos, Alina Morgan. $3 3188159
245 1 0 $a Integrating the Moving Image into the Museum.
300 $a 86 p.
500 $a Source: Masters Abstracts International, Volume: 54-05.
500 $a Adviser: Jonathan Furner.
502 $a Thesis (M.A.)--University of California, Los Angeles, 2015.
520 $a The widespread adoption of video (and of film, to a lesser extent) by contemporary artists has forced curators to face the challenge of incorporating moving image projections and installations into the museum gallery. Limitations imposed by architectural layout, exhibition structure, available equipment and budget restrictions often lead to compromise. Although contemporary artists have the ability to define the essential components of their moving image works and to negotiate how they will be displayed currently and in the future, works by past artists are not always treated with the same respect. This thesis addresses technical concerns and conservation issues encountered in the exhibition of moving image works. Engaging with multiple perspectives, it builds upon direct observations of museum exhibitions, conversations with museum and moving image archive professionals, and analyses of existing best practices.
590 $a School code: 0031.
650 4 $a Museum studies. $3 2122775
650 4 $a Information science. $3 554358
690 $a 0730
690 $a 0723
710 2 $a University of California, Los Angeles. $b Moving Image Archive Studies. $3 3178902
773 0 $t Masters Abstracts International $g 54-05(E).
790 $a 0031
791 $a M.A.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1590425