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Location, Relocation, Dislocation: T...

McNutt, Myles.

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Location, Relocation, Dislocation: Television's Spatial Capital.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Location, Relocation, Dislocation: Television's Spatial Capital./
Author:	McNutt, Myles.
Description:	335 p.
Notes:	Source: Dissertation Abstracts International, Volume: 76-11(E), Section: A.
Contained By:	Dissertation Abstracts International76-11A(E).
Subject:	Mass communication. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3716470
ISBN:	9781321953527

Location, Relocation, Dislocation: Television's Spatial Capital.
McNutt, Myles.

Location, Relocation, Dislocation: Television's Spatial Capital. - 335 p.

Source: Dissertation Abstracts International, Volume: 76-11(E), Section: A.

Thesis (Ph.D.)--The University of Wisconsin - Madison, 2015.

This project explores what is identified as the "spatial capital" of television production, considering how values of space and place are located, relocated, and dislocated as television series are conceived and produced in a contemporary North American context. As new technological tools become available to represent specific locations, and as the geography of television production expands through the introduction of tax incentives in more states and provinces, the "map" of television is as fluid as it as ever been. By embarking on a close analysis of how spatial capital is activated, negotiated, and contested across a range of televisual forms, this project lays the groundwork for more focused work on the multi-dimensional space of place in contemporary television.

ISBN: 9781321953527Subjects--Topical Terms:

2144804
Mass communication.

Location, Relocation, Dislocation: Television's Spatial Capital.
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245 1 0 $a Location, Relocation, Dislocation: Television's Spatial Capital.
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500 $a Source: Dissertation Abstracts International, Volume: 76-11(E), Section: A.
500 $a Adviser: Jonathan Gray.
502 $a Thesis (Ph.D.)--The University of Wisconsin - Madison, 2015.
520 $a This project explores what is identified as the "spatial capital" of television production, considering how values of space and place are located, relocated, and dislocated as television series are conceived and produced in a contemporary North American context. As new technological tools become available to represent specific locations, and as the geography of television production expands through the introduction of tax incentives in more states and provinces, the "map" of television is as fluid as it as ever been. By embarking on a close analysis of how spatial capital is activated, negotiated, and contested across a range of televisual forms, this project lays the groundwork for more focused work on the multi-dimensional space of place in contemporary television.
520 $a After establishing a framework for both the spatial economy of television production and the spatial economy of television textuality, the project goes on to explore how spatial capital manifests in distinct televisual contexts, including the multi-camera sitcom, the contemporary television drama, and reality competition series. While scholarship has to date focused its attention primarily on how place is represented in television or the way "media tourism" reshapes our engagement with cultural geography and television, these case studies reveal a more complex negotiation of questions of space and place that functions within the text itself, within discourse surrounding those texts, as well as through paratexts and other extratextual forms of production increasingly common in the television industry. The project also locates this negotiation at the level of television labor, identifying specific groups of workers whose contributions are crucial to activating spatial capital but are often elided in both popular and scholarly discourse.
520 $a The intensified spatiality of contemporary North American television reinforces that where television takes place matters; this project serves as an effort to understand the complexities of "taking place" in an environment where spatial capital is consistently being located, relocated, and dislocated with each new series, each new setting, and each new production location.
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