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(Re)presentation: An affective explo...

Ribera, Deborah.

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(Re)presentation: An affective exploration of ethnographic documentary film production.

Record Type:	Electronic resources : Monograph/item
Title/Author:	(Re)presentation: An affective exploration of ethnographic documentary film production./
Author:	Ribera, Deborah.
Description:	236 p.
Notes:	Source: Dissertation Abstracts International, Volume: 76-11(E), Section: A.
Contained By:	Dissertation Abstracts International76-11A(E).
Subject:	Mass communication. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3710365
ISBN:	9781321862225

(Re)presentation: An affective exploration of ethnographic documentary film production.
Ribera, Deborah.

(Re)presentation: An affective exploration of ethnographic documentary film production. - 236 p.

Source: Dissertation Abstracts International, Volume: 76-11(E), Section: A.

Thesis (Ph.D.)--Bowling Green State University, 2015.

This dissertation uses various theories of affect to re-interpret and re-present the idea of ethnographic documentary film production through the lens of cultural studies. I put forth a more experimental understanding of production that examines the ways in which self-other relations inform the producer of the film, the process of filmmaking, and the product that is the film. Using my own experience filming an ethnographic documentary in Haiti as a case study, I examine the construction of my perspective as a producer, significant moments and encounters that informed the process of making a documentary, and the feedback from a viewing of the documentary. I employ a combination of methods to narrate the conjuncture of documentary film production, using a retrospective analysis of personal narrative as well as elements of autoethnography to construct a critically reflexive analysis of this case. Through this analysis, I connect significant moments that make up the conjuncture of documentary film production and put them in conversation with my own subjectivity through the language of affect theory.

ISBN: 9781321862225Subjects--Topical Terms:

2144804
Mass communication.

(Re)presentation: An affective exploration of ethnographic documentary film production.
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100 1 $a Ribera, Deborah. $3 3187152
245 1 0 $a (Re)presentation: An affective exploration of ethnographic documentary film production.
300 $a 236 p.
500 $a Source: Dissertation Abstracts International, Volume: 76-11(E), Section: A.
500 $a Adviser: Radhika Gajjala.
502 $a Thesis (Ph.D.)--Bowling Green State University, 2015.
520 $a This dissertation uses various theories of affect to re-interpret and re-present the idea of ethnographic documentary film production through the lens of cultural studies. I put forth a more experimental understanding of production that examines the ways in which self-other relations inform the producer of the film, the process of filmmaking, and the product that is the film. Using my own experience filming an ethnographic documentary in Haiti as a case study, I examine the construction of my perspective as a producer, significant moments and encounters that informed the process of making a documentary, and the feedback from a viewing of the documentary. I employ a combination of methods to narrate the conjuncture of documentary film production, using a retrospective analysis of personal narrative as well as elements of autoethnography to construct a critically reflexive analysis of this case. Through this analysis, I connect significant moments that make up the conjuncture of documentary film production and put them in conversation with my own subjectivity through the language of affect theory.
520 $a This study incorporates my identities as a therapist, an educator, a nonprofit executive, a documentary filmmaker, and a scholar. In thinking deeply about my production process through this dissertation, I was able to identify ways in which I could make a better, more ethical documentary in the future. Ultimately, I conclude that an affective understanding of ethnographic documentary filmmaking can help producers---especially amateur ones---become more ethically accountable for the material consequences of encounters with the other that filmmaking facilitates for both those filming and those being filmed.
590 $a School code: 0018.
650 4 $a Mass communication. $3 2144804
650 4 $a Film studies. $3 2122736
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710 2 $a Bowling Green State University. $b American Culture Studies. $3 3187153
773 0 $t Dissertation Abstracts International $g 76-11A(E).
790 $a 0018
791 $a Ph.D.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3710365