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La fete aux boulevards exterieurs: A...
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Lay, Howard George.
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La fete aux boulevards exterieurs: Art and culture in fin de siecle Montmartre.
Record Type:
Electronic resources : Monograph/item
Title/Author:
La fete aux boulevards exterieurs: Art and culture in fin de siecle Montmartre./
Author:
Lay, Howard George.
Description:
270 p.
Notes:
Source: Dissertation Abstracts International, Volume: 52-11, Section: A, page: 3753.
Contained By:
Dissertation Abstracts International52-11A.
Subject:
Art history. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9211713
La fete aux boulevards exterieurs: Art and culture in fin de siecle Montmartre.
Lay, Howard George.
La fete aux boulevards exterieurs: Art and culture in fin de siecle Montmartre.
- 270 p.
Source: Dissertation Abstracts International, Volume: 52-11, Section: A, page: 3753.
Thesis (Ph.D.)--Harvard University, 1991.
This study is concerned with the development of a "popular" vocabulary in art and entertainment during the cultural transformation that occurred in Montmartre between 1880 and 1895. These are the years that witnessed the sudden proliferation of new cabarets and dance-halls along the boulevards exterieurs, and the discovery of a novel and seemingly marginal variety of amusements by well-to-do Parisians who had previously had little reason to venture north to the predominantly working class faubourgs. The arrival of this new clientele coincided with the colonization of Montmartre by young artists, bohemians, chansonniers and anarchist propagandists who, operating in the midst of a burgeoning commercial entertainment industry, sought to give form to social and cultural resistance by employing stylistic "dialects" (visual, verbal, etc.) based on their impressions of the culture of the people.Subjects--Topical Terms:
2122701
Art history.
La fete aux boulevards exterieurs: Art and culture in fin de siecle Montmartre.
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La fete aux boulevards exterieurs: Art and culture in fin de siecle Montmartre.
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270 p.
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Source: Dissertation Abstracts International, Volume: 52-11, Section: A, page: 3753.
500
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Adviser: T. J. Clark.
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Thesis (Ph.D.)--Harvard University, 1991.
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This study is concerned with the development of a "popular" vocabulary in art and entertainment during the cultural transformation that occurred in Montmartre between 1880 and 1895. These are the years that witnessed the sudden proliferation of new cabarets and dance-halls along the boulevards exterieurs, and the discovery of a novel and seemingly marginal variety of amusements by well-to-do Parisians who had previously had little reason to venture north to the predominantly working class faubourgs. The arrival of this new clientele coincided with the colonization of Montmartre by young artists, bohemians, chansonniers and anarchist propagandists who, operating in the midst of a burgeoning commercial entertainment industry, sought to give form to social and cultural resistance by employing stylistic "dialects" (visual, verbal, etc.) based on their impressions of the culture of the people.
520
$a
The main objective of this dissertation is to disentangle the various kinds of popular references invented by figures such as Adolphe Willette, Aristide Bruant, Maximilien Luce and Toulouse-Lautrec, and to determine the relations between their projects and the new commercialism that rapidly reshaped the production of culture in Montmartre at fin de siecle. Since manufactured images of marginality and opposition were the principal attraction of the neighborhood, the distinctions between the artistic practices of bohemians, avant-gardists and political intransigents were not always easy for the uninitiated observer to recognize. For that reason, their strategies are best understood in relation--negative or conciliatory--to the diverse forms of mass entertainment that, on the face of things, did the most to redefine "popular" culture.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9211713
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