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The art of allusion in Li Shangyin.

Zeng, Li.

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The art of allusion in Li Shangyin.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The art of allusion in Li Shangyin./
Author:	Zeng, Li.
Description:	291 p.
Notes:	Source: Dissertation Abstracts International, Volume: 59-06, Section: A, page: 2029.
Contained By:	Dissertation Abstracts International59-06A.
Subject:	Asian literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NQ28100
ISBN:	9780612281004

The art of allusion in Li Shangyin.
Zeng, Li.

The art of allusion in Li Shangyin. - 291 p.

Source: Dissertation Abstracts International, Volume: 59-06, Section: A, page: 2029.

Thesis (Ph.D.)--University of Toronto (Canada), 1997.

Many poems by Li Shangyin (ca.812-858), an eminent poet of the Tang Dynasty, possess highly allusive characteristics. It is recognized that Li Shangyin's use of allusion is a development in Chinese literary history where one finds a preference for allusion among poets of previous ages. To show how exactly Li Shangyin's allusions work is in a way to explicate the poetic significance of allusion in classical poetry.

ISBN: 9780612281004Subjects--Topical Terms:

2122707
Asian literature.

The art of allusion in Li Shangyin.
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008 170521s1997 eng d
020 $a 9780612281004
035 $a (MiAaPQ)AAINQ28100
035 $a AAINQ28100
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100 1 $a Zeng, Li. $3 1043794
245 1 4 $a The art of allusion in Li Shangyin.
300 $a 291 p.
500 $a Source: Dissertation Abstracts International, Volume: 59-06, Section: A, page: 2029.
500 $a Adviser: Wayne Schlepp.
502 $a Thesis (Ph.D.)--University of Toronto (Canada), 1997.
520 $a Many poems by Li Shangyin (ca.812-858), an eminent poet of the Tang Dynasty, possess highly allusive characteristics. It is recognized that Li Shangyin's use of allusion is a development in Chinese literary history where one finds a preference for allusion among poets of previous ages. To show how exactly Li Shangyin's allusions work is in a way to explicate the poetic significance of allusion in classical poetry.
520 $a Framed mainly within traditional poetic concerns, this study focuses on the function of allusion in some highly allusive poems by Li Shangyin, trying to bring allusion into a rhetorical function which works as a constitutive element of the poetic system and thus contributes to the process of poetic signification. While carrying out this task, the study also renders a presentation of the poetic world of Li Shangyin's poems.
520 $a In the central chapters in this study, through discussing one particular allusion the poet favors (Chapter 2), and analyzing and interpreting his poems on history (Chapter 3) and his untitled poems (Chapter 4), Li Shangyin's major modes of allusiveness, such as "overt" and "assimilative" modes, and "orthodox" and "inverted" modes, are examined and the poet is seen to be engaged with sophisticated craft and complex structures to create a subtle and oblique ambiance in his poetic world. His complex and indefinite poetry is largely related with his use of allusion, especially his internalized use of it in which a mood, tone, or atmosphere is usually dominant.
520 $a The study sees the art of allusion in Li Shangyin as a highly crafted and conscious one. This art is based upon a dialectic understanding of the literary past. That Li Shangyin's poetic creativity is accomplished by means of manipulating prior literary material shows the power and richness of the literary convention to which almost all great poets have recourse.
590 $a School code: 0779.
650 4 $a Asian literature. $3 2122707
690 $a 0305
710 2 0 $a University of Toronto (Canada). $3 1017674
773 0 $t Dissertation Abstracts International $g 59-06A.
790 $a 0779
791 $a Ph.D.
792 $a 1997
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NQ28100