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Musical portrayals of death in Musor...
~
Anduri, Graham Michael.
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Musical portrayals of death in Musorgsky's "Songs and Dances of Death".
Record Type:
Electronic resources : Monograph/item
Title/Author:
Musical portrayals of death in Musorgsky's "Songs and Dances of Death"./
Author:
Anduri, Graham Michael.
Description:
91 p.
Notes:
Source: Dissertation Abstracts International, Volume: 76-09(E), Section: A.
Contained By:
Dissertation Abstracts International76-09A(E).
Subject:
Music. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3689367
ISBN:
9781321686128
Musical portrayals of death in Musorgsky's "Songs and Dances of Death".
Anduri, Graham Michael.
Musical portrayals of death in Musorgsky's "Songs and Dances of Death".
- 91 p.
Source: Dissertation Abstracts International, Volume: 76-09(E), Section: A.
Thesis (Mus.Ed.D.)--The University of Southern Mississippi, 2015.
Musorgsky's Songs and Dances of Death presents a set of unique portrayals of death in art song literature. Aside from the obvious challenge of the Russian language and Cyrillic alphabet which are unfamiliar to most Western performers, the unique musical style, historical context, and complex psychological implications of Songs and Dances of Death require a good deal of study before one can fully grasp the profundity and importance of this cycle.
ISBN: 9781321686128Subjects--Topical Terms:
516178
Music.
Musical portrayals of death in Musorgsky's "Songs and Dances of Death".
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91 p.
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Source: Dissertation Abstracts International, Volume: 76-09(E), Section: A.
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Adviser: Maryann Kyle.
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Thesis (Mus.Ed.D.)--The University of Southern Mississippi, 2015.
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Musorgsky's Songs and Dances of Death presents a set of unique portrayals of death in art song literature. Aside from the obvious challenge of the Russian language and Cyrillic alphabet which are unfamiliar to most Western performers, the unique musical style, historical context, and complex psychological implications of Songs and Dances of Death require a good deal of study before one can fully grasp the profundity and importance of this cycle.
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Musorgsky's views on music and life, the Zeitgeist in which these songs were composed, a historical analysis of the medieval Dance of Death tradition and its influence on the poet and composer, as well as an analysis of the psychological phenomenon of death personifications are provided to engender a holistic approach to interpreting these songs. A musical analysis illustrates the musical manifestations of the aforementioned elements. A guide to the various editions and their inherent merits and/or flaws gives the performer the necessary information to find a suitable version of the cycle. A word-for-word translation, IPA transliteration, and pronunciation guide are also included to facilitate the learning of the text by non-Russian speakers.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3689367
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