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Performativity and Social Space: A S...

Ariel, Daniel.

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Performativity and Social Space: A Study of Three Yamada-ryu Koto Musicians in The Northeast of The U.S.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Performativity and Social Space: A Study of Three Yamada-ryu Koto Musicians in The Northeast of The U.S./
Author:	Ariel, Daniel.
Description:	145 p.
Notes:	Source: Masters Abstracts International, Volume: 54-05.
Contained By:	Masters Abstracts International54-05(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1589393
ISBN:	9781321769906

Performativity and Social Space: A Study of Three Yamada-ryu Koto Musicians in The Northeast of The U.S.
Ariel, Daniel.

Performativity and Social Space: A Study of Three Yamada-ryu Koto Musicians in The Northeast of The U.S. - 145 p.

Source: Masters Abstracts International, Volume: 54-05.

Thesis (M.A.)--Tufts University, 2015.

This item must not be sold to any third party vendors.

This thesis is an ethnographic project that aims to present the nuanced experiences of three women trained in the Yamada-ryu tradition for the Japanese koto, a thirteen-stringed zither. Predicated upon theories of performativity, cultural identity, and the construction of social space within a postmodern scheme, this project depicts these performers as women who have shaped the tradition in which they have learned and performed. They have tread new paths as they continue to perform and to teach within distinct social spaces in Japan and the Northeast region of the United States, and they have effectively advocating for a broader appreciation of Japanese koto and its music culture. The thesis contributes to the body of ethnomusicological scholarship on Japanese musics and instruments as it achieves a more holistic and interdisciplinary approach to a tradition that had long been dealt with by scholars through textual and musical analysis almost exclusively. I have addressed complex issues of transmission and change within a codified tradition, the politics of performance in multifarious social spaces, and what it means to advocate for Japanese musics in the United States.

ISBN: 9781321769906Subjects--Topical Terms:

516178
Music.

Performativity and Social Space: A Study of Three Yamada-ryu Koto Musicians in The Northeast of The U.S.
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500 $a Source: Masters Abstracts International, Volume: 54-05.
500 $a Adviser: David Locke.
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520 $a This thesis is an ethnographic project that aims to present the nuanced experiences of three women trained in the Yamada-ryu tradition for the Japanese koto, a thirteen-stringed zither. Predicated upon theories of performativity, cultural identity, and the construction of social space within a postmodern scheme, this project depicts these performers as women who have shaped the tradition in which they have learned and performed. They have tread new paths as they continue to perform and to teach within distinct social spaces in Japan and the Northeast region of the United States, and they have effectively advocating for a broader appreciation of Japanese koto and its music culture. The thesis contributes to the body of ethnomusicological scholarship on Japanese musics and instruments as it achieves a more holistic and interdisciplinary approach to a tradition that had long been dealt with by scholars through textual and musical analysis almost exclusively. I have addressed complex issues of transmission and change within a codified tradition, the politics of performance in multifarious social spaces, and what it means to advocate for Japanese musics in the United States.
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