東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Modern Sentimentalism: Feeling, Femi...

Mendelman, Lisa Anne.

FindBook

Google Book

Amazon

博客來

Modern Sentimentalism: Feeling, Femininity, and Female Authorship in Interwar America.

紀錄類型:	書目-電子資源 : Monograph/item
正題名/作者:	Modern Sentimentalism: Feeling, Femininity, and Female Authorship in Interwar America./
作者:	Mendelman, Lisa Anne.
面頁冊數:	238 p.
附註:	Source: Dissertation Abstracts International, Volume: 76-10(E), Section: A.
Contained By:	Dissertation Abstracts International76-10A(E).
標題:	American literature. -
電子資源:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3705031
ISBN:	9781321778014

Modern Sentimentalism: Feeling, Femininity, and Female Authorship in Interwar America.
Mendelman, Lisa Anne.

Modern Sentimentalism: Feeling, Femininity, and Female Authorship in Interwar America. - 238 p.

Source: Dissertation Abstracts International, Volume: 76-10(E), Section: A.

Thesis (Ph.D.)--University of California, Los Angeles, 2015.

"Modern Sentimentalism" chronicles the myriad ways in which sentimentalism evolves as modernism emerges. I demonstrate that sentimental aesthetics are more complex than we have thought and that these aesthetics participate in modern literary innovation. I likewise demonstrate that modernity, and the American interwar period in particular, enjoys a more complex relation to the sentimental than we have understood, and that twentieth-century constructs of gender and emotion equally revise and restyle sentimental precedent. Finally, I demonstrate that, when it comes to analyzing historical cultures of feeling, contemporary theories of affect have much to gain from archival methods. Synthesizing these claims, I identify a new form of feeling in modern aesthetic experience. Neither an idealized lapse into the past nor a naive vision of the future, what I call "modern sentimentalism" most often registers the ironic consciousness of an enduring sentimental impulse.

ISBN: 9781321778014Subjects--Topical Terms:

523234
American literature.

Modern Sentimentalism: Feeling, Femininity, and Female Authorship in Interwar America.
LDR:03396nmm a2200325 4500 001 2065891
005 20151205152716.5
008 170521s2015 ||||||||||||||||| ||eng d
020 $a 9781321778014
035 $a (MiAaPQ)AAI3705031
035 $a AAI3705031
040 $a MiAaPQ $c MiAaPQ
100 1 $a Mendelman, Lisa Anne. $3 3180642
245 1 0 $a Modern Sentimentalism: Feeling, Femininity, and Female Authorship in Interwar America.
300 $a 238 p.
500 $a Source: Dissertation Abstracts International, Volume: 76-10(E), Section: A.
500 $a Adviser: Michael A. North.
502 $a Thesis (Ph.D.)--University of California, Los Angeles, 2015.
520 $a "Modern Sentimentalism" chronicles the myriad ways in which sentimentalism evolves as modernism emerges. I demonstrate that sentimental aesthetics are more complex than we have thought and that these aesthetics participate in modern literary innovation. I likewise demonstrate that modernity, and the American interwar period in particular, enjoys a more complex relation to the sentimental than we have understood, and that twentieth-century constructs of gender and emotion equally revise and restyle sentimental precedent. Finally, I demonstrate that, when it comes to analyzing historical cultures of feeling, contemporary theories of affect have much to gain from archival methods. Synthesizing these claims, I identify a new form of feeling in modern aesthetic experience. Neither an idealized lapse into the past nor a naive vision of the future, what I call "modern sentimentalism" most often registers the ironic consciousness of an enduring sentimental impulse.
520 $a "Modern Sentimentalism" thus overturns conventional notions of sentimentalism as a nineteenth-century style antithetical to modern artistic innovation and to representations of modern sensibility. Participating in recent efforts to contextualize modernism and adding new historical and formalist dimensions to theories of twentieth-century sentimentality and affect, I reconstruct sentiment's authoritative influence in the interwar period's shifting constructions of gender, race, and sexuality; emergent concepts of emotional experience like "ambivalence" and "empathy"; and evolving literary interests like irony and stream-of-consciousness narration.
520 $a "Modern Sentimentalism" thus enriches our understanding of the originality and experimentation that characterize modernist-era literary production. At the same time, this project elucidates an archive of fiction by female authors, including lesser-known novels by canonical figures like Edith Wharton and Willa Cather and texts by under-studied authors like Anita Loos, Frances Newman, and Jessie Redmon Fauset. These authors idiosyncratically revise and update the aesthetic paradigm that forms a modern woman writer's most obvious inheritance, but their novels collectively establish that interwar concepts of gender, emotion, and literature do not simply break with a sentimental past. Rather, these authors and their inventive modern novels signal how sentimentalism transforms with the times.
590 $a School code: 0031.
650 4 $a American literature. $3 523234
650 4 $a Aesthetics. $3 523036
650 4 $a Gender studies. $3 2122708
650 4 $a Womens studies. $3 2122688
690 $a 0591
690 $a 0650
690 $a 0733
690 $a 0453
710 2 $a University of California, Los Angeles. $b English 0345. $3 2092046
773 0 $t Dissertation Abstracts International $g 76-10A(E).
790 $a 0031
791 $a Ph.D.
792 $a 2015
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3705031