東華大學圖書館 |

Language: English

Help

回圖書館首頁

手機版館藏查詢

Back

Switch To: Labeled | MARC Mode | ISBD

A la cheville des temps La construct...

Letendre, Daniel.

Linked to FindBook

Google Book

Amazon

博客來

A la cheville des temps La construction du present dans la litterature narrative francaise au tournant du XXI e siecle.

Record Type:	Electronic resources : Monograph/item
Title/Author:	A la cheville des temps La construction du present dans la litterature narrative francaise au tournant du XXI e siecle./
Author:	Letendre, Daniel.
Description:	380 p.
Notes:	Source: Dissertation Abstracts International, Volume: 75-07(E), Section: A.
Contained By:	Dissertation Abstracts International75-07A(E).
Subject:	Modern literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NS28307
ISBN:	9780499283078

A la cheville des temps La construction du present dans la litterature narrative francaise au tournant du XXI e siecle.
Letendre, Daniel.

A la cheville des temps La construction du present dans la litterature narrative francaise au tournant du XXI e siecle. - 380 p.

Source: Dissertation Abstracts International, Volume: 75-07(E), Section: A.

Thesis (Ph.D.)--Universite de Montreal (Canada), 2014.

This doctoral thesis highlights present-day French authors' narrative strategies used to illustrate and conceive the present. Our central hypothesis is that through an act of utterance intermeshing discourse and narration, as well as the critical and pragmatic use of references to the past, today's narrative literature offers a counterpoint to the "presentism" described by Francois Hartog (i.e. a retrospective look at eras in which the present is both the vantage point and the point under observation). By so doing, contemporary authors offer a system of historicities where the past and the future are linked to the present in order to reconcile the link between the three temporal categories and reveal a present which, otherwise, would remain narratively elusive or subrogated to the authority of a past or a future that dictates its behaviour.

ISBN: 9780499283078Subjects--Topical Terms:

2122750
Modern literature.

A la cheville des temps La construction du present dans la litterature narrative francaise au tournant du XXI e siecle.
LDR:03426nmm a2200277 4500 001 2064628
005 20151115152204.5
008 170521s2014 fre d
020 $a 9780499283078
035 $a (MiAaPQ)AAINS28307
035 $a AAINS28307
040 $a MiAaPQ $c MiAaPQ
100 1 $a Letendre, Daniel. $3 3179242
245 1 2 $a A la cheville des temps La construction du present dans la litterature narrative francaise au tournant du XXI e siecle.
300 $a 380 p.
500 $a Source: Dissertation Abstracts International, Volume: 75-07(E), Section: A.
500 $a Advisers: Elisabeth Nardout-Lafarge; Jean-Francois Hamel.
502 $a Thesis (Ph.D.)--Universite de Montreal (Canada), 2014.
520 $a This doctoral thesis highlights present-day French authors' narrative strategies used to illustrate and conceive the present. Our central hypothesis is that through an act of utterance intermeshing discourse and narration, as well as the critical and pragmatic use of references to the past, today's narrative literature offers a counterpoint to the "presentism" described by Francois Hartog (i.e. a retrospective look at eras in which the present is both the vantage point and the point under observation). By so doing, contemporary authors offer a system of historicities where the past and the future are linked to the present in order to reconcile the link between the three temporal categories and reveal a present which, otherwise, would remain narratively elusive or subrogated to the authority of a past or a future that dictates its behaviour.
520 $a By distancing their works from the fictional genre and from the narrative form it embodies, Pierre Bergounioux, Francois Bon, Olivier Cadiot, Annie Ernaux, Chloe Delaume, Jean Echenoz and Olivier Rolin, amongst others, are part of the enunciative tradition of the narrative, considered here as a literary genre in which the enunciation and the text in gestation are, in and of themselves, their own intrigue. In the contemporary narrative, the aim of the enunciation subject is to clarify its relationship to time by using enunciative scenes having to do with this quest and the conversation so that from a personal and intellectual anamnesis, as well as from the clash of a memory with its recounting, emerge the characteristics integral to the present experience. And yet, one of the characteristics of the present that the contemporary subject experiences seems to be a resistance to narration and to storytelling, which makes it almost impervious to literary analysis. Authors take up this opposition to storytelling by using, in an effort to bring the immediacy of the present to the foreground, the note, the journal entry, and literary genres that thwart narration, such as poetry. In spite of their enunciative efforts to distil the present from the operation that transforms it into the past, these authors are nevertheless faced, time and again, with having to live the immediate dissipation of the present and their inability to capture in a literary form its essence. Perhaps the only way to offer a glimpse of this is to try to create the present by repeatedly showing the impossibility of such an achievement.
590 $a School code: 0992.
650 4 $a Modern literature. $3 2122750
690 $a 0298
710 2 0 $a Universite de Montreal (Canada). $b French Literature. $3 3179243
773 0 $t Dissertation Abstracts International $g 75-07A(E).
790 $a 0992
791 $a Ph.D.
792 $a 2014
793 $a French
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=NS28307