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The audible future: Dolby Atmos and ...

Burson, Harry.

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The audible future: Dolby Atmos and the immersive sound of science fiction in contemporary science fiction.

Record Type:	Electronic resources : Monograph/item
Title/Author:	The audible future: Dolby Atmos and the immersive sound of science fiction in contemporary science fiction./
Author:	Burson, Harry.
Description:	74 p.
Notes:	Source: Masters Abstracts International, Volume: 54-04.
Contained By:	Masters Abstracts International54-04(E).
Subject:	Film studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1586910
ISBN:	9781321697049

The audible future: Dolby Atmos and the immersive sound of science fiction in contemporary science fiction.
Burson, Harry.

The audible future: Dolby Atmos and the immersive sound of science fiction in contemporary science fiction. - 74 p.

Source: Masters Abstracts International, Volume: 54-04.

Thesis (M.A.)--Georgetown University, 2015.

This thesis examines the aesthetics and ideology of the recent wave of so-called "immersive" sound formats designed for cinematic exhibition. Focusing on the Dolby Atmos format, this paper contextualizes contemporary audiovisual aesthetics within the cultural, industrial, and technological history of American cinematic sound, and argues that Atmos forecloses possibilities for sonic experimentation by forcing strict adherence to current spatially based conventions for cinematic realism. Formal analysis of recent science fiction films--including Guardians of the Galaxy, Transformers: Age of Extinction, and Teenage Mutant Ninja Turtles--reveals the tension between the purported mimetic naturalism of immersive sound and the irreal Atmos soundtracks of contemporary Hollywood spectacles.

ISBN: 9781321697049Subjects--Topical Terms:

2122736
Film studies.

The audible future: Dolby Atmos and the immersive sound of science fiction in contemporary science fiction.
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245 1 4 $a The audible future: Dolby Atmos and the immersive sound of science fiction in contemporary science fiction.
300 $a 74 p.
500 $a Source: Masters Abstracts International, Volume: 54-04.
500 $a Adviser: Caetlin A. Benson-Allott.
502 $a Thesis (M.A.)--Georgetown University, 2015.
520 $a This thesis examines the aesthetics and ideology of the recent wave of so-called "immersive" sound formats designed for cinematic exhibition. Focusing on the Dolby Atmos format, this paper contextualizes contemporary audiovisual aesthetics within the cultural, industrial, and technological history of American cinematic sound, and argues that Atmos forecloses possibilities for sonic experimentation by forcing strict adherence to current spatially based conventions for cinematic realism. Formal analysis of recent science fiction films--including Guardians of the Galaxy, Transformers: Age of Extinction, and Teenage Mutant Ninja Turtles--reveals the tension between the purported mimetic naturalism of immersive sound and the irreal Atmos soundtracks of contemporary Hollywood spectacles.
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650 4 $a Film studies. $3 2122736
650 4 $a Cinematography. $3 546522
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773 0 $t Masters Abstracts International $g 54-04(E).
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