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Everything & nothing: Hegemonic cons...

Thomas, Jonathan.

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Everything & nothing: Hegemonic constructions of whiteness in American cinema.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Everything & nothing: Hegemonic constructions of whiteness in American cinema./
Author:	Thomas, Jonathan.
Description:	105 p.
Notes:	Source: Masters Abstracts International, Volume: 53-02.
Contained By:	Masters Abstracts International53-02(E).
Subject:	Ethnic studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1558769
ISBN:	9781303990434

Everything & nothing: Hegemonic constructions of whiteness in American cinema.
Thomas, Jonathan.

Everything & nothing: Hegemonic constructions of whiteness in American cinema. - 105 p.

Source: Masters Abstracts International, Volume: 53-02.

Thesis (M.A.)--Northern Illinois University, 2014.

This item must not be sold to any third party vendors.

Whiteness in film represents a masculine dominated world where the agency of nonwhites and women is constrained. Nonwhites and women are represented as dependent bodies that either aid white males or require saving. Various intersecting themes of class and gender concatenate with race to buttress hegemonic whiteness. This paper underscores those instances of the intersectionality of race, class, and gender in the film text. Hegemonic representations of whiteness in film are perpetuated through colorblind ideology. Finally, through symbolic exploitation, social actors continue to reify hegemonic representations of whiteness.

ISBN: 9781303990434Subjects--Topical Terms:

1556779
Ethnic studies.

Everything & nothing: Hegemonic constructions of whiteness in American cinema.
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100 1 $a Thomas, Jonathan. $3 3178012
245 1 0 $a Everything & nothing: Hegemonic constructions of whiteness in American cinema.
300 $a 105 p.
500 $a Source: Masters Abstracts International, Volume: 53-02.
500 $a Adviser: Abu Bah.
502 $a Thesis (M.A.)--Northern Illinois University, 2014.
506 $a This item must not be sold to any third party vendors.
520 $a Whiteness in film represents a masculine dominated world where the agency of nonwhites and women is constrained. Nonwhites and women are represented as dependent bodies that either aid white males or require saving. Various intersecting themes of class and gender concatenate with race to buttress hegemonic whiteness. This paper underscores those instances of the intersectionality of race, class, and gender in the film text. Hegemonic representations of whiteness in film are perpetuated through colorblind ideology. Finally, through symbolic exploitation, social actors continue to reify hegemonic representations of whiteness.
590 $a School code: 0162.
650 4 $a Ethnic studies. $2 bicssc $3 1556779
650 4 $a American history. $3 2122692
650 4 $a Film studies. $3 2122736
690 $a 0631
690 $a 0337
690 $a 0900
710 2 $a Northern Illinois University. $b Sociology. $3 3178013
773 0 $t Masters Abstracts International $g 53-02(E).
790 $a 0162
791 $a M.A.
792 $a 2014
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1558769