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Staging the artist: Subjectivity, r...

Lottering, William.

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Staging the artist: Subjectivity, reflexivity and performativity in Wim Delvoye's "Cloaca" and "Art Farm".

Record Type:	Electronic resources : Monograph/item
Title/Author:	Staging the artist: Subjectivity, reflexivity and performativity in Wim Delvoye's "Cloaca" and "Art Farm"./
Author:	Lottering, William.
Description:	178 p.
Notes:	Source: Masters Abstracts International, Volume: 52-05.
Contained By:	Masters Abstracts International52-05(E).
Subject:	Fine arts. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MS00062
ISBN:	9780499000620

Staging the artist: Subjectivity, reflexivity and performativity in Wim Delvoye's "Cloaca" and "Art Farm".
Lottering, William.

Staging the artist: Subjectivity, reflexivity and performativity in Wim Delvoye's "Cloaca" and "Art Farm". - 178 p.

Source: Masters Abstracts International, Volume: 52-05.

Thesis (M.A.)--York University (Canada), 2013.

This item must not be sold to any third party vendors.

In the artworks of Wim Delvoye, subjectivity, reflexivity and performativity are three notions that provide a framework for the appreciation of contemporary artworks. Until the mid-twentieth century, subjectivity was perceived as an attribute of a singular subject that arises from a singular point of view. But today, contemporary artworks are often created intersubjectively; as exemplified in the art of Delvoye, whose works reflect and mirror postmodern conditions. The thesis argues, the postmodernist context necessitates that artworks are about society. Artworks are reflexive because society is reflexive; it is an entity that acts upon itself. I argue that performativity, a reflexive intersubjective notion, is a prime postmodern mode. I define the artwork as a specified outcome through an artistic medium in generative action and argue that Wim Delvoye is an authoring artist in the lineage of Marcel Duchamp and Jackson Pollock, who authored changes in the perception of artistic subjectivity.

ISBN: 9780499000620Subjects--Topical Terms:

2122690
Fine arts.

Staging the artist: Subjectivity, reflexivity and performativity in Wim Delvoye's "Cloaca" and "Art Farm".
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020 $a 9780499000620
035 $a (MiAaPQ)AAIMS00062
035 $a AAIMS00062
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100 1 $a Lottering, William. $3 3176868
245 1 0 $a Staging the artist: Subjectivity, reflexivity and performativity in Wim Delvoye's "Cloaca" and "Art Farm".
300 $a 178 p.
500 $a Source: Masters Abstracts International, Volume: 52-05.
502 $a Thesis (M.A.)--York University (Canada), 2013.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a In the artworks of Wim Delvoye, subjectivity, reflexivity and performativity are three notions that provide a framework for the appreciation of contemporary artworks. Until the mid-twentieth century, subjectivity was perceived as an attribute of a singular subject that arises from a singular point of view. But today, contemporary artworks are often created intersubjectively; as exemplified in the art of Delvoye, whose works reflect and mirror postmodern conditions. The thesis argues, the postmodernist context necessitates that artworks are about society. Artworks are reflexive because society is reflexive; it is an entity that acts upon itself. I argue that performativity, a reflexive intersubjective notion, is a prime postmodern mode. I define the artwork as a specified outcome through an artistic medium in generative action and argue that Wim Delvoye is an authoring artist in the lineage of Marcel Duchamp and Jackson Pollock, who authored changes in the perception of artistic subjectivity.
590 $a School code: 0267.
650 4 $a Fine arts. $3 2122690
650 4 $a Art history. $3 2122701
650 4 $a Art education. $3 547650
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710 2 $a York University (Canada). $3 1017889
773 0 $t Masters Abstracts International $g 52-05(E).
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791 $a M.A.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=MS00062