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Upturning senses: Sensational intera...

Durrand, Mark E.

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Upturning senses: Sensational interactions at the meeting of cinema's music, sounds, images, and audience.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Upturning senses: Sensational interactions at the meeting of cinema's music, sounds, images, and audience./
Author:	Durrand, Mark E.
Description:	171 p.
Notes:	Source: Dissertation Abstracts International, Volume: 76-02(E), Section: A.
Contained By:	Dissertation Abstracts International76-02A(E).
Subject:	Music. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3640753
ISBN:	9781321262650

Upturning senses: Sensational interactions at the meeting of cinema's music, sounds, images, and audience.
Durrand, Mark E.

Upturning senses: Sensational interactions at the meeting of cinema's music, sounds, images, and audience. - 171 p.

Source: Dissertation Abstracts International, Volume: 76-02(E), Section: A.

Thesis (Ph.D.)--State University of New York at Buffalo, 2014.

This item must not be sold to any third party vendors.

Film musicology, since its de facto inception in 1987 with Claudia Gorbman's Unheard Melodies, has tended to focus upon the semiotic and narrative implications of music and sound in film. Recent challenges to the narrativistic and linguistic model of cinema's soundtrack direct attention more towards the sensual and affective (performative) roles played by music and sound in film. Following the latter trend, this dissertation pursues a model for film experience, and explores ways the audiences' sensorial apparatus interacts with cinema's audio-visual combinations.

ISBN: 9781321262650Subjects--Topical Terms:

516178
Music.

Upturning senses: Sensational interactions at the meeting of cinema's music, sounds, images, and audience.
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020 $a 9781321262650
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100 1 $a Durrand, Mark E. $3 3175569
245 1 0 $a Upturning senses: Sensational interactions at the meeting of cinema's music, sounds, images, and audience.
300 $a 171 p.
500 $a Source: Dissertation Abstracts International, Volume: 76-02(E), Section: A.
500 $a Adviser: Stephanie Vander Wel.
502 $a Thesis (Ph.D.)--State University of New York at Buffalo, 2014.
506 $a This item must not be sold to any third party vendors.
520 $a Film musicology, since its de facto inception in 1987 with Claudia Gorbman's Unheard Melodies, has tended to focus upon the semiotic and narrative implications of music and sound in film. Recent challenges to the narrativistic and linguistic model of cinema's soundtrack direct attention more towards the sensual and affective (performative) roles played by music and sound in film. Following the latter trend, this dissertation pursues a model for film experience, and explores ways the audiences' sensorial apparatus interacts with cinema's audio-visual combinations.
590 $a School code: 0656.
650 4 $a Music. $3 516178
650 4 $a Film studies. $3 2122736
690 $a 0413
690 $a 0900
710 2 $a State University of New York at Buffalo. $b Music. $3 1036144
773 0 $t Dissertation Abstracts International $g 76-02A(E).
790 $a 0656
791 $a Ph.D.
792 $a 2014
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3640753