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Literary tanci: A woman's tradition ...

Hu, Siao-chen.

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Literary tanci: A woman's tradition of narrative in verse.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Literary tanci: A woman's tradition of narrative in verse./
Author:	Hu, Siao-chen.
Description:	338 p.
Notes:	Source: Dissertation Abstracts International, Volume: 56-01, Section: A, page: 1960.
Contained By:	Dissertation Abstracts International56-01A.
Subject:	Asian literature. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9514852

Literary tanci: A woman's tradition of narrative in verse.
Hu, Siao-chen.

Literary tanci: A woman's tradition of narrative in verse. - 338 p.

Source: Dissertation Abstracts International, Volume: 56-01, Section: A, page: 1960.

Thesis (Ph.D.)--Harvard University, 1994.

This item must not be sold to any third party vendors.

Among the types of Chinese spoken and sung literature (shuochang XXXX), tanci XXXX is distinguished by its special appeal to women audiences, readers, and writers. The subject of this study is the female literary tanci, i.e., narratives written for reading by women writers in the Qing.Subjects--Topical Terms:

2122707
Asian literature.

Literary tanci: A woman's tradition of narrative in verse.
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035 $a AAI9514852
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100 1 $a Hu, Siao-chen. $3 3172737
245 1 0 $a Literary tanci: A woman's tradition of narrative in verse.
300 $a 338 p.
500 $a Source: Dissertation Abstracts International, Volume: 56-01, Section: A, page: 1960.
502 $a Thesis (Ph.D.)--Harvard University, 1994.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a Among the types of Chinese spoken and sung literature (shuochang XXXX), tanci XXXX is distinguished by its special appeal to women audiences, readers, and writers. The subject of this study is the female literary tanci, i.e., narratives written for reading by women writers in the Qing.
520 $a Chapter 1 is an introduction to the genre and a background survey of the six texts selected for study. Chapter 2 reviews the implications of writing by women and examines how women writers of the literary tanci proclaimed their rights to authorship in their texts. Chapter 3 considers the women's act of reading, how texts related to women, and how reading was viewed by public opinion. Chapter 4 and 5 are textual analyses, with emphasis on domestic and adventure subject matter, respectively. It is pointed out that women writers first set their eyes on domesticity, but that their imagination extended to open spaces, domesticating them and challenging men's conception of them. The final chapter discusses the style of literary tanci. It concludes that the major stylistic characteristic of literary tanci--the irrelevant detail, which has been criticized as a fatal aesthetic flaw, can be read as a metaphor for the female condition that indirectly challenges the dominant literary norms and standards.
520 $a There is a short conclusion appended to Chapter Six, which restates my major arguments and suggests possible topics for future study.
590 $a School code: 0084.
650 4 $a Asian literature. $3 2122707
650 4 $a Womens studies. $3 2122688
690 $a 0305
690 $a 0453
710 2 $a Harvard University. $3 528741
773 0 $t Dissertation Abstracts International $g 56-01A.
790 $a 0084
791 $a Ph.D.
792 $a 1994
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=9514852