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Decolonizing Chicana art: The work o...

Leal, Damaris.

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Decolonizing Chicana art: The work of Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Decolonizing Chicana art: The work of Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez./
Author:	Leal, Damaris.
Description:	117 p.
Notes:	Source: Masters Abstracts International, Volume: 53-01.
Contained By:	Masters Abstracts International53-01(E).
Subject:	Art Criticism. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1527971
ISBN:	9781303984952

Decolonizing Chicana art: The work of Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez.
Leal, Damaris.

Decolonizing Chicana art: The work of Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez. - 117 p.

Source: Masters Abstracts International, Volume: 53-01.

Thesis (M.A.)--California State University, Long Beach, 2014.

This item must not be sold to any third party vendors.

This thesis is an attempt to begin decolonizing common perceptions about Chicana art and demonstrates that Chicana art, itself, can contribute to intellectual decolonization. By decolonization I mean identifying oppressive forms of thinking, examining their structure, and modifying them in order to accept and reach egalitarianism. To better understand this process I consider the theories of Chela Sandoval, Gloria Anzaldua, Emma Perez, Stuart Hall, and Gauvin Alexander Bailey. What follows is an analysis of how Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez implement such theories in their artwork. I focus on one piece by each artist: Cihuateteo con Coyolxauhqui y la Guadalupana (1996), Venus Envy Chapter I: First Holy Communion Moments Before the End (1993), and Our Lady (1999), respectively.

ISBN: 9781303984952Subjects--Topical Terms:

637082
Art Criticism.

Decolonizing Chicana art: The work of Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez.
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020 $a 9781303984952
035 $a (MiAaPQ)AAI1527971
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100 1 $a Leal, Damaris. $3 3171878
245 1 0 $a Decolonizing Chicana art: The work of Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez.
300 $a 117 p.
500 $a Source: Masters Abstracts International, Volume: 53-01.
500 $a Adviser: Catha Paquette.
502 $a Thesis (M.A.)--California State University, Long Beach, 2014.
506 $a This item must not be sold to any third party vendors.
506 $a This item must not be added to any third party search indexes.
520 $a This thesis is an attempt to begin decolonizing common perceptions about Chicana art and demonstrates that Chicana art, itself, can contribute to intellectual decolonization. By decolonization I mean identifying oppressive forms of thinking, examining their structure, and modifying them in order to accept and reach egalitarianism. To better understand this process I consider the theories of Chela Sandoval, Gloria Anzaldua, Emma Perez, Stuart Hall, and Gauvin Alexander Bailey. What follows is an analysis of how Santa C. Barraza, Amalia Mesa-Bains, and Alma Lopez implement such theories in their artwork. I focus on one piece by each artist: Cihuateteo con Coyolxauhqui y la Guadalupana (1996), Venus Envy Chapter I: First Holy Communion Moments Before the End (1993), and Our Lady (1999), respectively.
590 $a School code: 6080.
650 4 $a Art Criticism. $3 637082
650 4 $a Art History. $3 635474
690 $a 0365
690 $a 0377
710 2 $a California State University, Long Beach. $b Art. $3 2103582
773 0 $t Masters Abstracts International $g 53-01(E).
790 $a 6080
791 $a M.A.
792 $a 2014
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1527971