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Negotiating change in society and mu...

Chen, Mei-Chen.

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Negotiating change in society and music: Intertextuality, female roles, and cultural performance in Taiwan during Japanese colonial rule.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Negotiating change in society and music: Intertextuality, female roles, and cultural performance in Taiwan during Japanese colonial rule./
Author:	Chen, Mei-Chen.
Description:	121 p.
Notes:	Source: Masters Abstracts International, Volume: 53-05.
Contained By:	Masters Abstracts International53-05(E).
Subject:	Anthropology, Cultural. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1564335
ISBN:	9781321164251

Negotiating change in society and music: Intertextuality, female roles, and cultural performance in Taiwan during Japanese colonial rule.
Chen, Mei-Chen.

Negotiating change in society and music: Intertextuality, female roles, and cultural performance in Taiwan during Japanese colonial rule. - 121 p.

Source: Masters Abstracts International, Volume: 53-05.

Thesis (M.A.)--Indiana University, 2014.

This item must not be sold to any third party vendors.

This thesis examines cultural performances of music in Taiwan in the arena of the music and entertainment industries during the Japanese colonial period (1895-1945) in Taiwan. This was a period of tremendous change as the Japanese government took political and economic control over the island, implementing new educational and cultural policies but also bringing with it Japanese companies, policies and institutional structures. I argue that musical recordings, performances, and discourse in this period reflect the complex ways that Taiwanese social actors negotiated changes in music making and in society. People working within the music industry both responded to and mediated changes---including new forms of technology, artistic forms, media, and institutions---in relation to contemporary discourses of modernity, colonialism, and nationalism. I employ a performance-centered approach to examine historical music recordings from the period and the intertextual relations between texts. My aim is to understand the ways that cultural specialists, particularly female performers, negotiated these broad social, ideological, and artistic transformations (including new musical genres and changes in the technologies and institutions of recording and performance) and how these, in turn, transformed the roles and status of female performers in the Taiwanese musical world during the colonial period.

ISBN: 9781321164251Subjects--Topical Terms:

735016
Anthropology, Cultural.

Negotiating change in society and music: Intertextuality, female roles, and cultural performance in Taiwan during Japanese colonial rule.
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020 $a 9781321164251
035 $a (MiAaPQ)AAI1564335
035 $a AAI1564335
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100 1 $a Chen, Mei-Chen. $3 3170404
245 1 0 $a Negotiating change in society and music: Intertextuality, female roles, and cultural performance in Taiwan during Japanese colonial rule.
300 $a 121 p.
500 $a Source: Masters Abstracts International, Volume: 53-05.
500 $a Adviser: Sue Tuohy.
502 $a Thesis (M.A.)--Indiana University, 2014.
506 $a This item must not be sold to any third party vendors.
520 $a This thesis examines cultural performances of music in Taiwan in the arena of the music and entertainment industries during the Japanese colonial period (1895-1945) in Taiwan. This was a period of tremendous change as the Japanese government took political and economic control over the island, implementing new educational and cultural policies but also bringing with it Japanese companies, policies and institutional structures. I argue that musical recordings, performances, and discourse in this period reflect the complex ways that Taiwanese social actors negotiated changes in music making and in society. People working within the music industry both responded to and mediated changes---including new forms of technology, artistic forms, media, and institutions---in relation to contemporary discourses of modernity, colonialism, and nationalism. I employ a performance-centered approach to examine historical music recordings from the period and the intertextual relations between texts. My aim is to understand the ways that cultural specialists, particularly female performers, negotiated these broad social, ideological, and artistic transformations (including new musical genres and changes in the technologies and institutions of recording and performance) and how these, in turn, transformed the roles and status of female performers in the Taiwanese musical world during the colonial period.
590 $a School code: 0093.
650 4 $a Anthropology, Cultural. $3 735016
650 4 $a Music. $3 516178
650 4 $a Asian Studies. $3 1669375
650 4 $a Sociology, Social Structure and Development. $3 1017425
650 4 $a Political Science, International Relations. $3 1669648
690 $a 0326
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690 $a 0700
690 $a 0601
710 2 $a Indiana University. $b Ethnomusicology. $3 3170405
773 0 $t Masters Abstracts International $g 53-05(E).
790 $a 0093
791 $a M.A.
792 $a 2014
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1564335