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Hybrid artifacts: Collecting, drawi...
~
Anchor, Kristen.
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Hybrid artifacts: Collecting, drawing, queering, mixing.
Record Type:
Electronic resources : Monograph/item
Title/Author:
Hybrid artifacts: Collecting, drawing, queering, mixing./
Author:
Anchor, Kristen.
Description:
52 p.
Notes:
Source: Masters Abstracts International, Volume: 51-06.
Contained By:
Masters Abstracts International51-06(E).
Subject:
Fine Arts. -
Online resource:
http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1538436
ISBN:
9781303115233
Hybrid artifacts: Collecting, drawing, queering, mixing.
Anchor, Kristen.
Hybrid artifacts: Collecting, drawing, queering, mixing.
- 52 p.
Source: Masters Abstracts International, Volume: 51-06.
Thesis (M.F.A.)--University of Maryland, Baltimore County, 2013.
In Hybrid Artifacts, I present two intermedia art works in which I combine drawing, animation, appropriation, installation, and video. The first, You Are What You Eat, is an animation of rotoscoped kitchen disaster scenes, the sources of which are Hollywood films, projected in a continuous frieze on three walls. The second, Butch, is a triptych of three looping videos, each featuring a still portrait of a male professional athlete who is crying animated tears. His image is superimposed on a live-action video of amateurs playing his sport. Through the work, I am seeking queer subjectivity in hybrid forms, bringing together queer reading strategies, the grammar of appropriation, cultural cataloging, and drawing's mix of informality and immediacy in hopes of revealing the latent psychological and cultural messages in the found media's in-between spaces.
ISBN: 9781303115233Subjects--Topical Terms:
891065
Fine Arts.
Hybrid artifacts: Collecting, drawing, queering, mixing.
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In Hybrid Artifacts, I present two intermedia art works in which I combine drawing, animation, appropriation, installation, and video. The first, You Are What You Eat, is an animation of rotoscoped kitchen disaster scenes, the sources of which are Hollywood films, projected in a continuous frieze on three walls. The second, Butch, is a triptych of three looping videos, each featuring a still portrait of a male professional athlete who is crying animated tears. His image is superimposed on a live-action video of amateurs playing his sport. Through the work, I am seeking queer subjectivity in hybrid forms, bringing together queer reading strategies, the grammar of appropriation, cultural cataloging, and drawing's mix of informality and immediacy in hopes of revealing the latent psychological and cultural messages in the found media's in-between spaces.
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http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1538436
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