東華大學圖書館 |

語系: 繁體中文

說明(常見問題)

回圖書館首頁

手機版館藏查詢

登入

回首頁

切換: 標籤 | MARC模式 | ISBD

Design : = the whole story /

Wilhide, Elizabeth.

FindBook

Google Book

Amazon

博客來

Design : = the whole story /

紀錄類型:	書目-語言資料,印刷品 : Monograph/item
正題名/作者:	Design :/ general editor, Elizabeth Wilhide ; foreword by Jonathan Glancey.
其他題名:	the whole story /
其他作者:	Wilhide, Elizabeth.
出版者:	Munich :Prestel, : 2016.,
面頁冊數:	576 p. :ill. (chiefly col.) ;26 cm.
附註:	Includes index.
內容註:	Foreword / Jonathan Glancey -- Introduction -- 1. The emergenceof design 1700-1905 -- 2. The age of the machine 1905-1945 -- 3. Identity and conformity 1945-60 -- 4. Design and the quality of life 1960-80 -- 5. Contradiction and complexity 1980-95 -- 6. Thedigital age 1995-present -- Glossary -- Contributors.
標題:	Industrial design - History. -
ISBN:	9783791381893

Design : = the whole story /
Design :the whole story /general editor, Elizabeth Wilhide ; foreword by Jonathan Glancey. - Munich :Prestel,2016. - 576 p. :ill. (chiefly col.) ;26 cm. - "Whole story" series. - Whole story..

Includes index.

Foreword / Jonathan Glancey -- Introduction -- 1. The emergenceof design 1700-1905 -- 2. The age of the machine 1905-1945 -- 3. Identity and conformity 1945-60 -- 4. Design and the quality of life 1960-80 -- 5. Contradiction and complexity 1980-95 -- 6. Thedigital age 1995-present -- Glossary -- Contributors.

This book takes a close look at the key developments, movementsand practitioners of design around the world, from the beginningsof industrial manufacturing to the present day. Organized chronologically, it locates design within its technological, cultural, economic, aesthetic and theoretical contexts. From the high-minded moralists of the 19th century to the radical thinkersof modernism the book provides in-depth coverage of a subject that touches all our lives. Iconic works that mark significant steps forward or that characterize a particular era or approach -such as Marcel Breuer's Wassily chair of 1925, Eliot Noyes' corporate identity work for IBM in the 1950s and Matthew Carter'sVerdana typeface, designed to be read on screen - are analysed indetail, while the text sets out the framework of ideas, intent and technology within which differing approaches to design have evolved. From the cars we drive and the products we buy to the graphics that surround us, we are all consumers of design.

ISBN: 9783791381893US34.95

LCCN: 2016941556Subjects--Topical Terms:

3163103
Industrial design
--History.

LC Class. No.: TS171.4 / .D47 2016

Design : = the whole story /
LDR:02031nam a2200217 a 4500 001 2047476
003 OCoLC
005 20170418222737.0
008 170426s2016 gw a 001 0 eng d
010 $a 2016941556
020 $a 9783791381893 $q (hbk.) : $c US34.95
020 $a 379138189X $q (hbk.)
035 $a (OCoLC)960644079 $z (OCoLC)946463678 $z (OCoLC)946482628
040 $a VZS $b eng $c VZS $d BTCTA $d BDX $d YDXCP $d OCLCF $d CAD $d CAM $d NJM
050 4 $a TS171.4 $b .D47 2016
245 0 0 $a Design : $b the whole story / $c general editor, Elizabeth Wilhide ; foreword by Jonathan Glancey.
260 $a Munich : $b Prestel, $c 2016.
300 $a 576 p. : $b ill. (chiefly col.) ; $c 26 cm.
490 1 $a "Whole story" series
500 $a Includes index.
505 0 $a Foreword / Jonathan Glancey -- Introduction -- 1. The emergenceof design 1700-1905 -- 2. The age of the machine 1905-1945 -- 3. Identity and conformity 1945-60 -- 4. Design and the quality of life 1960-80 -- 5. Contradiction and complexity 1980-95 -- 6. Thedigital age 1995-present -- Glossary -- Contributors.
520 8 $a This book takes a close look at the key developments, movementsand practitioners of design around the world, from the beginningsof industrial manufacturing to the present day. Organized chronologically, it locates design within its technological, cultural, economic, aesthetic and theoretical contexts. From the high-minded moralists of the 19th century to the radical thinkersof modernism the book provides in-depth coverage of a subject that touches all our lives. Iconic works that mark significant steps forward or that characterize a particular era or approach -such as Marcel Breuer's Wassily chair of 1925, Eliot Noyes' corporate identity work for IBM in the 1950s and Matthew Carter'sVerdana typeface, designed to be read on screen - are analysed indetail, while the text sets out the framework of ideas, intent and technology within which differing approaches to design have evolved. From the cars we drive and the products we buy to the graphics that surround us, we are all consumers of design.
650 0 $a Industrial design $x History. $3 3163103
700 1 $a Wilhide, Elizabeth. $3 523605
830 0 $a Whole story. $3 3163102