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Hurricane Katrina: Visuality, photog...

Chong, Song Tae.

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Hurricane Katrina: Visuality, photography, and representing a crisis.

Record Type:	Electronic resources : Monograph/item
Title/Author:	Hurricane Katrina: Visuality, photography, and representing a crisis./
Author:	Chong, Song Tae.
Description:	248 p.
Notes:	Source: Dissertation Abstracts International, Volume: 76-03(E), Section: A.
Contained By:	Dissertation Abstracts International76-03A(E).
Subject:	Art criticism. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3643012
ISBN:	9781321302769

Hurricane Katrina: Visuality, photography, and representing a crisis.
Chong, Song Tae.

Hurricane Katrina: Visuality, photography, and representing a crisis. - 248 p.

Source: Dissertation Abstracts International, Volume: 76-03(E), Section: A.

Thesis (Ph.D.)--New York University, 2014.

This item must not be sold to any third party vendors.

This dissertation explores the ways in which the photography of Hurricane Katrina is informed by historical networks of representation and distribution through the strategies of visuality and countervisuality. Photography and visuality have a unique relationship, both in terms of the importance of both as a commodity, but also in that they both represent ideologies. In the case of post-Katrina photography, what emerged was my inquiry into the experience of the body, specifically the black body, in the circum Atlantic "new world" that was the United States and the unique subject position that the body occupies within the photographic archive.

ISBN: 9781321302769Subjects--Topical Terms:

526357
Art criticism.

Hurricane Katrina: Visuality, photography, and representing a crisis.
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100 1 $a Chong, Song Tae. $3 2122892
245 1 0 $a Hurricane Katrina: Visuality, photography, and representing a crisis.
300 $a 248 p.
500 $a Source: Dissertation Abstracts International, Volume: 76-03(E), Section: A.
500 $a Adviser: NIcholas D. Mirzoeff.
502 $a Thesis (Ph.D.)--New York University, 2014.
506 $a This item must not be sold to any third party vendors.
520 $a This dissertation explores the ways in which the photography of Hurricane Katrina is informed by historical networks of representation and distribution through the strategies of visuality and countervisuality. Photography and visuality have a unique relationship, both in terms of the importance of both as a commodity, but also in that they both represent ideologies. In the case of post-Katrina photography, what emerged was my inquiry into the experience of the body, specifically the black body, in the circum Atlantic "new world" that was the United States and the unique subject position that the body occupies within the photographic archive.
590 $a School code: 0146.
650 4 $a Art criticism. $3 526357
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710 2 $a New York University. $b Media, Culture, and Communication. $3 1677519
773 0 $t Dissertation Abstracts International $g 76-03A(E).
790 $a 0146
791 $a Ph.D.
792 $a 2014
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=3643012