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Unconventional art and Economies of ...

Trabaldo Togna, Giulia.

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Unconventional art and Economies of Support.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Unconventional art and Economies of Support./
Author:	Trabaldo Togna, Giulia.
Description:	61 p.
Notes:	Source: Masters Abstracts International, Volume: 52-05.
Contained By:	Masters Abstracts International52-05(E).
Subject:	Art History. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1554343
ISBN:	9781303846748

Unconventional art and Economies of Support.
Trabaldo Togna, Giulia.

Unconventional art and Economies of Support. - 61 p.

Source: Masters Abstracts International, Volume: 52-05.

Thesis (M.A.)--Sotheby's Institute of Art - New York, 2014.

The term "Unconventional art" aims to describe a practice that happens outside of the conventional market for artworks. Here, the artists Thomas Hirschhorn, Tino Sehgal and Jenny Holzer are taken as case studies to prove and explain how the artworld adapts to support the production and consumption of pieces that work beyond the marketplace. Thus, the research draws, through the mapping of different dynamics and actors, a system defined as Economies of Support, meaning the roles and contributions of different subjects that ultimately make possible the existence of Unconventional art.

ISBN: 9781303846748Subjects--Topical Terms:

635474
Art History.

Unconventional art and Economies of Support.
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020 $a 9781303846748
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100 1 $a Trabaldo Togna, Giulia. $3 2105229
245 1 0 $a Unconventional art and Economies of Support.
300 $a 61 p.
500 $a Source: Masters Abstracts International, Volume: 52-05.
500 $a Adviser: Paul Melton.
502 $a Thesis (M.A.)--Sotheby's Institute of Art - New York, 2014.
520 $a The term "Unconventional art" aims to describe a practice that happens outside of the conventional market for artworks. Here, the artists Thomas Hirschhorn, Tino Sehgal and Jenny Holzer are taken as case studies to prove and explain how the artworld adapts to support the production and consumption of pieces that work beyond the marketplace. Thus, the research draws, through the mapping of different dynamics and actors, a system defined as Economies of Support, meaning the roles and contributions of different subjects that ultimately make possible the existence of Unconventional art.
590 $a School code: 1588.
650 4 $a Art History. $3 635474
650 4 $a Business Administration, Arts Management. $3 1674038
650 4 $a Economics, Theory. $3 1017575
690 $a 0377
690 $a 0424
690 $a 0511
710 2 $a Sotheby's Institute of Art - New York. $b Art Business. $3 2093254
773 0 $t Masters Abstracts International $g 52-05(E).
790 $a 1588
791 $a M.A.
792 $a 2014
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1554343