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Beethoven's late string quartets and...

Vaughan, John C.

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Beethoven's late string quartets and the modern artist: External versus internal stuggle.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Beethoven's late string quartets and the modern artist: External versus internal stuggle./
Author:	Vaughan, John C.
Description:	52 p.
Notes:	Source: Masters Abstracts International, Volume: 52-01.
Contained By:	Masters Abstracts International52-01(E).
Subject:	History, European. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1523705
ISBN:	9781303312182

Beethoven's late string quartets and the modern artist: External versus internal stuggle.
Vaughan, John C.

Beethoven's late string quartets and the modern artist: External versus internal stuggle. - 52 p.

Source: Masters Abstracts International, Volume: 52-01.

Thesis (Master's)--California State University, Dominguez Hills, 2013.

Much has been written as to the circumstances surrounding Beethoven's Op. 127 through Op. 135, referred to as "The Late String Quartets." The past century has seen scholars examining the man in general, and these final compositions in particular, from either internal or external biographical perspectives. This study utilizes primary and secondary sources to study Beethoven's personal and artistic struggles. The philosophical implications they yield to modern artists are garnered through fusion of chronological events in Beethoven's life; in depth study of the quartets asserts that a balanced approach of analytic and speculative theory is required to appreciate their lasting validity. The modern artists, musicians in particular, are challenged to examine their own artistic footprint through appreciation of this multi-dimensional study. The methodology of utilizing a comprehensive approach to these quartets asserts that Beethoven was a complex, revolutionary and relevant artist precisely because of his psychological and environmental influences.

ISBN: 9781303312182Subjects--Topical Terms:

1018076
History, European.

Beethoven's late string quartets and the modern artist: External versus internal stuggle.
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245 1 0 $a Beethoven's late string quartets and the modern artist: External versus internal stuggle.
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502 $a Thesis (Master's)--California State University, Dominguez Hills, 2013.
520 $a Much has been written as to the circumstances surrounding Beethoven's Op. 127 through Op. 135, referred to as "The Late String Quartets." The past century has seen scholars examining the man in general, and these final compositions in particular, from either internal or external biographical perspectives. This study utilizes primary and secondary sources to study Beethoven's personal and artistic struggles. The philosophical implications they yield to modern artists are garnered through fusion of chronological events in Beethoven's life; in depth study of the quartets asserts that a balanced approach of analytic and speculative theory is required to appreciate their lasting validity. The modern artists, musicians in particular, are challenged to examine their own artistic footprint through appreciation of this multi-dimensional study. The methodology of utilizing a comprehensive approach to these quartets asserts that Beethoven was a complex, revolutionary and relevant artist precisely because of his psychological and environmental influences.
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