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Farsighted: The Age of the Picture a...

Elbaum, Sarah Marie.

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Farsighted: The Age of the Picture as the World.

Record Type:	Language materials, printed : Monograph/item
Title/Author:	Farsighted: The Age of the Picture as the World./
Author:	Elbaum, Sarah Marie.
Description:	53 p.
Notes:	Source: Masters Abstracts International, Volume: 52-04.
Contained By:	Masters Abstracts International52-04(E).
Subject:	African Studies. -
Online resource:	http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1549112
ISBN:	9781303603334

Farsighted: The Age of the Picture as the World.
Elbaum, Sarah Marie.

Farsighted: The Age of the Picture as the World. - 53 p.

Source: Masters Abstracts International, Volume: 52-04.

Thesis (M.A.)--University of California, Los Angeles, 2013.

Contemporary African artists Yinka Shonibare, MBE and Djibril Diop Mambety investigate the intimate effects of colonial materiality at large, utilizing colonial era aesthetics in their work while circumventing its indexicality, finding instead new methods with which to discuss individual experience, the colonial, and the postcolonial. To address the psychological import of extant colonial material culture, I analyze these artists' particular negotiations of plural locales and temporalities in their respective bodies of work as methods of re-archiving the colonial tangible and built environments in terms of individual experience.

ISBN: 9781303603334Subjects--Topical Terms:

1669436
African Studies.

Farsighted: The Age of the Picture as the World.
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020 $a 9781303603334
035 $a (MiAaPQ)AAI1549112
035 $a AAI1549112
040 $a MiAaPQ $c MiAaPQ
100 1 $a Elbaum, Sarah Marie. $3 2103800
245 1 0 $a Farsighted: The Age of the Picture as the World.
300 $a 53 p.
500 $a Source: Masters Abstracts International, Volume: 52-04.
500 $a Adviser: Allen F. Roberts.
502 $a Thesis (M.A.)--University of California, Los Angeles, 2013.
520 $a Contemporary African artists Yinka Shonibare, MBE and Djibril Diop Mambety investigate the intimate effects of colonial materiality at large, utilizing colonial era aesthetics in their work while circumventing its indexicality, finding instead new methods with which to discuss individual experience, the colonial, and the postcolonial. To address the psychological import of extant colonial material culture, I analyze these artists' particular negotiations of plural locales and temporalities in their respective bodies of work as methods of re-archiving the colonial tangible and built environments in terms of individual experience.
520 $a Gender Studies scholarship on colonialism links psychology, in terms of power dynamics and sexuality, to nation-building, racism, and empire fatigue. This decoding of humanity's most large scale colonial projects and most intimate reactions in a grand sweep of analysis, to and fro, is a task partially taken up by Shonibare and Mambety. Their work deals in terms of scale shifts, from local to global, individual to empire, and from the intimate to the immense.
590 $a School code: 0031.
650 4 $a African Studies. $3 1669436
650 4 $a Art History. $3 635474
650 4 $a History, General. $3 1017448
690 $a 0293
690 $a 0377
690 $a 0578
710 2 $a University of California, Los Angeles. $b African Studies 0044. $3 2100759
773 0 $t Masters Abstracts International $g 52-04(E).
790 $a 0031
791 $a M.A.
792 $a 2013
793 $a English
856 4 0 $u http://pqdd.sinica.edu.tw/twdaoapp/servlet/advanced?query=1549112